A Quote by Jenna Wortham
Many of the short videos on Vine feel as though they belong to an ever-evolving, completely new genre of modern folk art.
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I've been making Vine videos for a couple of months. They're just six-second little videos, but I really have fun doing them. It's just fun to feel like you created something.
Even though modern life in many ways is nothing short of exhausting, we need to take responsibility for what is necessary to combat the stress and exhaustion of modern life.
When we started with 'Big Brother' and created the reality genre, no one could ever foresee that there was so much space in the genre that it could deliver so many formats. There will be periods where there is not enough new stuff to keep the genre alive. But it will never die.
Make it new is the message not just of modern art but of modern consumerism, of which modern art is largely a mirror image.
Even something as stupid as Vine videos makes you feel like you're making things on your own.
Zachary Jernigan's short stories are in deep conversation with the history of the genre while maintaining a thoroughly modern sensibility. Here’s a new writer who has found his voice. Listen to him and enjoy!
I'm spending way too much time test running my Vine videos. I'll go into a room and close the door and be in there for an hour workshopping a Vine video that I never even post. So that's probably a huge time suck.
I hate videos. I'm meticulous on everything from cover art, fonts, productions, mixing. But when it comes to videos, I just feel so defeated.
These ways to make people buy were strange and new to us, and many bought for the sheer pleasure at first of holding in the hand and talking of something new. And once this was done, it was like opium, we could no longer do without this new bauble, and thus, though we hated the foreigners and though we knew they were ruining us, we bought their goods. Thus I learned the art of the foreigners, the art of creating in the human heart restlessness, disquiet, hunger for new things, and these new desires became their best helpers.
Film was something that I didn't see as a step up from music videos, though obviously, music videos, the fact that you work with a crew and a film camera, are the closest to film I've ever been. That is the only schooling I've ever had.
What is modern art but the attempt to pinpoint vague, incorporeal, inexpressible sensations? What is modern art, I would add, but the most solemn pile of nonsense that ever appeared on Earth?
I did short film with Damian Lewis from Homeland, that was a really incredible experience. He's one of the best actors I've ever worked with. Even though that's a short film for Jaguar that's really, in essence, a commercial, it didn't feel like it, at all.
I think what makes the Byrds stand up all these years is the basis in folk music. Folk music, being a timeless art form, is the foundation of the Byrds. We were all from a folk background. We considered ourselves folk singers even when we strapped on electric instruments and dabbled in different things.
When I was about ten, I was very impressed by the way Tarzan could swing through the trees from vine to vine. No one ever told me, 'Don't try this at home.'
Some people draw a line between music videos and short films, looking down on music videos as a format, but there's so much potential in music videos.
I do think that we're pretty future-obsessed right now, and I think that capitalism works best when we have a very short memory of the past, when we can just go forward seamlessly into a future of ever-new products and ever-new experiences - even though they're exactly the same, just on a watch instead of on a phone or whatever.
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