A Quote by Jennie

I think by having solo projects, it allows us to expand our music range. There's a type of music and concept we can do as a group and do as solo artists. — © Jennie
I think by having solo projects, it allows us to expand our music range. There's a type of music and concept we can do as a group and do as solo artists.
I'm solo, and I love being solo. I believe I went through the Roses so I could become a solo music-maker. That's what I believe.
What I like about 'Game of Thrones' is that there's such a wide range. We have everything from very small, just solo instrument pieces, just the solo violin or solo cello, and then we go all the way to these bigger action moments.
I mean, in the course of an evening, people will take a solo here and there, but generally it's all about the rhythm of that music. Dealing with the rhythm with everything. That's essentially at least my concept of what that group is.
I don't want any production credit. I think producers are overrated. They're for people who, first of all, don't know anything about music or arranging and have no ear for their own doings. They can't tell a good solo from a bad solo, stuff like that.
When we auditioned for 'The X Factor,' we were five individuals going into the show. That obviously means we are five solo artists in our beings, so we have our own creative ideas, of what sounds the best music-wise, because we are all artists.
...black music is a group music. That's why I don't like doing a solo saxophone thing: My feeling stems from rhythm, I really have to feel that rhythmic thing happening.
I think a group and a solo attract people in different ways, which I believe is a proof that the mass is looking for the more varying types of music.
When I heard I'd be the first in the group to release a solo track, I definitely felt nervous. But I'd like to think of it as a continuation of the music I've been doing as part of BLACKPINK.
I have to have the reasons to make the record. There are just too many records out there, especially when it's something as audacious as a solo percussion record with solo drumming music on it. There better be a reason behind it.
When I was 23, I felt like I was further back than when I was 21. After two solo albums for this small indie label Just Music, they'd gotten no real profile. So I kind of turned away from the solo thing a bit.
I think the solo playing, the decision to start playing solo, came out of having discovered what lay behind the doors that that technique opened for me.
When I write music for a film, I'm not writing a solo album, and I'm not writing a personal piece. I'm part of a team of artists. So I think like a filmmaker more than a composer.
I think there is more creative freedom as a solo artist by far because you might get a group push back on an idea because it's more of a democratic process. You can sink or swim on your own ideas on a solo project.
I can be a little messy and wild and carefree with my creativity as a solo artist. In a group, there's a certain structure, and everyone has a part to play, and being a solo artist, I can do as I please.
So you do shorter versions of the hits, or you take out a long guitar solo or things like that to make time for the hits and new music as well. But I don't think any of us ever get to do as much new music as we would like to.
I never liked opera growing up. I always liked chamber music or solo music even more than orchestral music.
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