A Quote by Jennifer Aniston

I think there are opportunities for women in comedies - how zany is up to them. — © Jennifer Aniston
I think there are opportunities for women in comedies - how zany is up to them.
All those zany comedies have instilled a sense of pace in me.
As an actor I get opportunities to do different kind of films. It's not that if I have done a few comedies, I'm averse to other roles or genres. It's just that I go for the films I like and incidentally some of them have been comedies.
ZANY, n. A popular character in old Italian plays, who imitated with ludicrous incompetence the _buffone_, or clown, and was therefore the ape of an ape; for the clown himself imitated the serious characters of the play. The zany was progenitor to the specialist in humor, as we to-day have the unhappiness to know him. In the zany we see an example of creation; in the humorist, of transmission. Another excellent specimen of the modern zany is the curate, who apes the rector, who apes the bishop, who apes the archbishop, who apes the devil.
I think women who are willing to 'have a go' are much more widely accepted now than ever before. I think if the opportunities aren't obvious, then women who wish to run their own business will find them or make them happen for themselves.
I think we're in a really interesting moment for women globally just in terms of, like, historically, I think we're in an interesting moment for women. Because, it's important to remember, there have always been funny, funny women. Mae West was real funny. Marilyn Monroe was in one of the greatest comedies, Some Like It Hot, ever made. I mean, it's not like we're lacking. I just think the percentage of women in positions of power in all aspects of our culture is improving and women are standing up and demanding to be heard.
I actually love Scorsese comedies. He's an underrated comedy director. I think his comedies are some of the best comedies ever made.
The war gave women like her opportunities, not a feminist movement, and if the opportunities dwindled after the war, she feels that it was because women didn't want them.
I think women sometimes stop flirting with their husbands, and you can't. Men want to want feel good - they want to feel like their women love them. When they come home from work, don't start nagging them with questions. Go up to them and give them a big kiss and ask them how their day was.
If people think that women only wear the burqa because of coercive pressure, let them create ample opportunities for them, at the same time enforce laws making primary and secondary education compulsory, and then see what women actually do.
I don't claim that our TV comedies are highbrow in anyway, but I think there's a basis to them, and that's why they're more popular than other TV comedies. There's a basis of truth in them, a gut feeling.
Young women don't want to be called feminists because it's not sexy and ah they think that their mothers and grandmothers have achieved everything they want. They don't know how poor women live, how women in rural places live, how 80 percent of women in the world are the poorest of the poor, how still there are 27 million slaves, and most of them women and girls.
I think the best way to control a population is to urbanize and to educate women. We have seen historically in many, many countries that once women are educated and have opportunities, and that happens when they live in cities and once they improve their economies, they no longer want to have eight kids. They want to have one or two or maybe three. And that is much more sustainable for them because they have other opportunities.
I got the opportunity to meet people all over the world. Brilliant women, tall women, short women, slim women, thick women, you name it. But, I don't meet them. I have the opportunities to and it's a little bit - I'm a little shy, so I don't meet them and I don't know who's right for me.
I think there's a lack of quality roles for women in comedies. Most actresses get cast as the "eye-roller" or "the serious one," while men in comedies get to do all the fun, silly stuff and muck around. Sometimes you just have to search hard for a role or create one for yourself.
I think I would love a shot at remaking 'The Philadelphia Story,' as daunting as it is. I still think it's fantastic. I love the '30s comedies because they're allowed to be both comic and elegant, and the women are so complicated in them.
I watched a couple of really bad directors work, and I saw how they completely botched it up and missed the visual opportunities of the scene when we had put things in front of them as opportunities. Set pieces, props and so on.
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