A Quote by Jennifer Brady

Growing up a lot of people said I played like a guy. They thought it was an insult, but I was like, 'That's fine, I don't care.' — © Jennifer Brady
Growing up a lot of people said I played like a guy. They thought it was an insult, but I was like, 'That's fine, I don't care.'
The only time I've ever been mistaken for someone else is - and this arguable still - when a person came up to me on the boardwalk of Ocean City, New Jersey and said, "You look a lot like that guy from computer ads" and I said, "There is a reason because I am that guy," and the guy looked at me for a minute, laughed and said, "That's a funny joke, but you really do look like him." He thought I was not me.
I kind of wish people didn’t know who I am, that I could just lie, say I’m a speechwriter for Obama. This is what I said before Twilight. And then Obama came along and picked up all these young writers. I found out this guy, Jon Favreau — who’s not the actor Jon Favreau — is writing for him. And I was like, Wow, I wonder if the people who thought I was bullshitting at the time are like, ‘Oh my god. That guy! That kid who was drunk in some bar actually wrote the health care bill!’
(Talks about a school production) 'There was one solo; but it was a guy. It was this character called 'Freddy Fast Talk' and it was the bad guy. I didn't care, I was like I will dress up like a guy, I want to sing that song. And so I remembered we drew on eyebrows, and I had like a moustache,and we put all my hair up in this hat. So I dressed like a guy and sang the solo.
[At nine years old] I didn't really know what that meant at the time. I thought it might be in a warm summer sport like softball, but I played a variety of sports growing up - basketball, soccer and track. I really didn't care. I just wanted to be an Olympian.
I like the Steelers now just because I played in Pittsburgh. I'm a fan, but I liked the Cowboys growing up. I like Emmitt Smith a lot.
I grew up playing softball, and at the age of nine, I decided I was going to be an Olympian. I didn't really know what that meant at the time. I thought it might be in a warm summer sport like softball, but I played a variety of sports growing up - basketball, soccer and track. I really didn't care. I just wanted to be an Olympian.
I mean, these are really dedicated people [in Lovecraft Society] when it comes to [h.P.] Lovecraft. But in the top floor of the John Hay Library, you have all of Lovecraft's archives. And messing around in there, I noticed, I said, what are these paintings? And the librarian told me, "Well, those are Pickman's paintings." I said, "I thought this was like something he made up, like The Necronomicon, that kind of stuff." And he said no, that the guy actually existed.
And I said couldn't we be more moderate? And he said why? And I said because I care about the team. And he said, 'No Jony, you're just really vain. You just want people to like you. I'm surprised at you, because I thought you really held the work up as the most important and not how you are perceived by people.' People misunderstand Steve because he was so focused.
Growing up as a kid my father was British and a soccer player. His idol was a guy that passed the ball a lot, Stanley Matthews. Our family thought if you could be unselfish your teammates would always like you.
Yeah, I've played a lot of instruments, and I played in a lot of bands growing up, and I've even had to play music in a lot of films that I've done.
Yeah, I’ve played a lot of instruments, and I played in a lot of bands growing up and I’ve even had to play music in a lot of films that I’ve done.
My dad was a theatrical guy. He wore a scuba suit one time because he said so-and-so was in the tank with the mayor. He didn't really care what people thought, so he was able to put himself out there. He didn't have a lot of shame, in a good way.
If someone doesn't like a comedian that's fine; a lot of people probably don't like my standup, and that's fine. But I think that the problem is people want you to get in trouble. That's the issue.
'Ghoul' was what my world looked like, growing up in the late Seventies and early Eighties, and what I thought it looked like. A lot of my personal experiences went into it.
It isn't necessary to be an untouchable rock-icon guy surrounded by bodyguards and be ushered in and out and have everyone do everything for you. It isn't necessary to change the way you present your band to the public just because you're successful. That happened a lot in the '80s: there was a school of thought that said people would like you more if you acted like you were the unattainable star.
Growing up at school I played a lot of fly-half and a lot of scrum-half, I thought I had a good boot but never really used it as much as I do now.
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