A Quote by Jennifer Connelly
I met David Bowie when I was 14, and he became a hero to me - because he was an artist, and because he was a genius who had the time to be kind. I'd never met such an extraordinary artist before, and I haven't since - the world will be a greyer place without him.
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I'd never met a woman I considered as intelligent as me. That sounds bigheaded, but every woman I met was either a dolly-chick, or a sort of screwed-up intellectual chick. And of course, in the field I was in, I didn't meet many intellectual people anyway. I always had this dream of meeting an artist, an artist girl who would be like me. And I thought it was a myth, but then I met Yoko and that was it.
Miles Davis, my one and only real hero of my life. I met him [because] every time I had a movie interview, I would shift the conversation to jazz. Miles, when I finally met him, he knew he had a sucker walking in the door. Because his people told him, “This guy plays the trumpet and every freakin’ interview he has ever given, he’s talked about you.”
Before I met David Bowie, I was very nervous. I thought, 'Here comes the Thin White Duke, Ziggy Stardust. How will I ever communicate with him?'
David Bowie used to cover loads of people, and there was an element of "David Bowie did it, so we wanted to do it," because we're kind of obsessed [with him].
I was in L.A. with my wife in a restaurant, and I spotted my great hero David Bowie at another table. Of course I wasn't going to bother him. Then I felt a tap on my shoulder, and it was Bowie, and he squatted down to talk to me. David Bowie came down to my level - so gentlemanly.
I can tell when I've met a bad journalist when they say, "I've met Madonna," or "I know Marilyn Manson." Because I haven't met anyone I've ever interviewed. I've sat down in the position of an interviewer, and they've sat down in the position of an artist trying to promote a product. We have no relationship. I'm able to ask them questions I'd never be allowed to ask them if we were casual friends. It's a completely constructed kind of situation.
Losing Bogey was horrible, obviously. Because he was young. And because he gave me my life. I wouldn't have had a - I don't know what would have happened to me if I hadn't met him. I would have had a completely different kind of life. He changed me, he gave me everything. And he was an extraordinary man.
I got to meet Kanye West because we were shopping my artist deal, and I was interested in his label. When I met him, I played him all the records I had. He introduced me to Rihanna, and she recorded and cut some of those records.
My father had always identified himself as a writer to my mother when they met. When they met, he was writing this great novel, there was no doubt about it. Part of why she left him was this delusion of greatness and identifying it very directly with being an artist.
I worked as an artist, played in a band, met Andy Warhol, Christo, Lou Reed, and David Byrne. I had fun.
It was hard at school because, growing up, some people wanted to be friends with me just because they wanted to get to my dad and say that they had met him and had gone to our house. I didn't understand it at the time, but the older I got and the more aware of it I became, it started becoming hard.
I've met so many amazing fans in the couple of weeks since the release of my second album, and everyone keeps telling me they feel so connected to the record. I think as an artist, all you really want out of your album is to feel like you're not alone.Because you wrote it for a reason. You wrote it because you're feeling some kind of emotion that you had to get out in the world. And if fans say, "that makes me feel like I'm not alone", then you get to say back to them, "Well, you telling me that makes me feel like I'm not alone either".
Noel Fielding is one of the nicest guys in show business. The first time I met him, I felt like I had met a rather wayward cousin whose take on the world made me laugh.
I was associated with the Artist Placement Group in the early 1970s and David Hall, the video artist, was an Artist Placement Group artist. I was completely broke at that time, and he said to me, "Come and do some teaching" - he was head of department at Maidstone College of Art. And I went and did a couple of teaching days and practically the only person who showed up was David Cunningham [Flying Lizard's main man], with all of this finished work
I've had a nice career. I'm no David Bowie or Bruce Springsteen out there. I'm not an icon. I'm just a working artist.
The Met is such a powerful place for me because it's a natural connection between the ancient world and the modern world. And when you're dealing with ancient mythology, trying to put a modern spin on it, you really can't do much better than to call on the Met.
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