A Quote by Jennifer Damiano

I think my great-grandpa was an opera singer or something. — © Jennifer Damiano
I think my great-grandpa was an opera singer or something.
I was going to be a singer. If I hadn't been in my profession, I was going to be an Opera singer. That's from a young kid. I had all these records from all those famous Opera singers. I wanted to be an Opera singer - that was my whole thing and physical fitness got in the way, thank God.
In opera tradition, when opera die-hard fans, there is a replacement of singer or singer wasn't at his or hers vocal best, doing something, they boo. Especially now that they pay hundreds of dollars for the ticket.
The idea is not to have one great singer surrounded by a bunch of nit wits. When the others are good, too, that's when you get something happening in opera.
The real exertion in the case of an opera singer lies not so much in her singing as in her acting of a role, for nearly every modern opera makes great dramatic and physical demands.
I think every singer should be able to jump in for a singer who has been sick, for instance, and learn an opera in two days. I know people who can do it.
I have never called myself an opera singer. Other people do, but I always call myself a classical singer. I'd love to do opera, but I'm still too young and I don't want to do it until I'm ready. I realise that when I do that it's going to be... up for discussion, shall we say, so I want to get it right.
My mom was a folk singer and Celtic harpist. My dad was in a barbershop quartet and my great grandma was an opera singer. As I grew up, I discovered pop music and Top 40 radio, but it was in the '90s, so music was very different then - it was really lyrical.
I grew up with singers. My father's mother sang opera. My dad was a big band singer. I can't remember a time there wasn't music in the house, so I grew up listening to great songwriters - George Gershwin, Cole Porter - and my grandma was playing opera for me before I was 3.
I was an acting opera singer, and that's one of the reasons I left opera.
One of my sisters wanted to be an opera singer. So, we spent a few dollars to try to train her, because Italian people would like to have an opera singer in the family. But she's got trouble coughing, let alone singing. One day, she was in the shower singing 'Madame Butterfly,' three days later the Japs attacked Pearl Harbor.
I began by listening to my mother's collection of Amelita Galli-Curci and Lily Pons records, and then was taken (at age eight) to hear Pons at a Met performance of Lakme. It was at that moment that I decided to become an opera star. Not just an opera singer, but an opera star!
I was more of a light opera singer, not really much of a lounge singer.
I always cherish my ancestors, my grandpa, great-grandpa, what they did for us, especially my dad who moved from Bosnia. He started a new life in Slovenia so basically I grew up there.
I originally wanted to be an opera singer. I studied classical voice at the University of Washington but soon realised I didn't have the instrument or the discipline. The road for opera singers is more difficult than for actors.
I don't think a good singer or a great singer is either of those things without a great song.
My sister is an opera singer. I grew up going to her recitals. This whole time, I'm like, 'She's the singer. I'm just strumming along and yelling.'
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