A Quote by Jennifer Donnelly
I listened as the words became sentences and the sentences became pages and the pages became feelings and voices and places and people.
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I thought 'UnSouled' would come in at around 400 pages, but it took 650 pages, and even then I felt like I was rushing the conclusion, so I asked my editor and publisher if I could divide it again. So a sequel became a trilogy, and the trilogy became a tetralogy - although we're not calling it that.
This rose became a bandanna, which became a house, which became infused with all passion, which became a hideaway, which became yes I would like to have dinner, which became hands, which became lands, shores, beaches, natives on the stones, staring and wild beasts in the trees, chasing the hats of lost hunters, and all this deserves a tone.
During my last year of college I wrote the same ten pages over and over again. Those ten pages became the first few pages of my first novel. I can still recite the opening paragraph from memory - only now I cringe when I do it because they are - surprise! - a classic example of overwriting, in addition to being a more than a little pretentious.
The dot that became a speck that became a blob that became a figure that became a boy
Where do we say that a cell became a blade of grass, which became a starfish, which became a cat, which became a donkey, which became a human being? There's a real lack of evidence from change from actual species to a different type of species.
I had composed songs, I sang, and played the vina. Practising this music I arrived at a stage where I touched the music of the spheres. Then every soul became a musical note, and all life became music. Inspired by it I spoke to the people, and those who were attracted by my words listened to them instead of listening to my songs.
What [Nietzsche] calls slave morality is to him purely spite-morality; and this spite-morality gave new names to all ideals. Thus impotence, which offers no reprisal, became goodness; craven baseness became humility; submission to him who was feared became obedience; inability to assert one's self became reluctance to assert one's self, became forgiveness, love of one's enemies. Misery became a distinction
Dreams became issues of East versus West. Hopes became political rhetoric. Progress became a search for power and domination. Somewhere the truth was lost that people don't make war, governments do.
Breezy journalistic sentences about wealthy white people unaware that other human beings are real became the rubber stamp product of the elite MFA programs.
How fascinating to a child are words: the shapes, sounds, textures and mysterious meanings of words; the way words link together into elastic patterns called "sentences." And these sentences into paragraphs, and beyond.
The burning of a book is a sad, sad sight, for even though a book is nothing but ink and paper, it feels as if the ideas contained in the book are disappearing as the pages turn to ashes and the cover and binding--which is the term for the stitching and glue that holds the pages together--blacken and curl as the flames do their wicked work. When someone is burning a book, they are showing utter contempt for all of the thinking that produced its ideas, all of the labor that went into its words and sentences, and all of the trouble that befell the author . . .
Christianity began in Palestine as an experience, it moved to Greece and became a philosophy, it moved to Italy and became an institution, it moved to Europe and became a culture, and it moved to America and became a business! We've left the experience long behind.
People don't talk like this, theytalklikethis. Syllables, words, sentences run together like a watercolour left in the rain. To understand what anyone is saying to us we must separate these noises into words and the words into sentences so that we might in our turn issue a stream of mixed sounds in response.
We became such darlings of a certain type of media. We became a package; we became easy to sell: these three golden nuggets that could pour out all the goods. It was all exposure in an almost violent way.
I remembered, like, when 'Not When My Daughter' came out, I'm serious, I think dating for Iranian men became a lot harder. Dude's name, Shahrokh - became Tony. Mehsud became Mike.
As the books grew bigger and more ambitious, the situations in question sometimes became political ones, and so it became necessary to start painting in the social background on a scale which eventually became panoramic.
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