A Quote by Jennifer Donnelly
Make them care, Mattie,' she said softly. 'And don't you ever be sorry.' -Emily Wilcox
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Cripes Miss Wilcox, they're not guns,' I said. No, they're not Mattie, they're books. And a hundred times more dangerous.
Jasmine apologized and said she was sorry and said she loved me, she couldn't believe it and said she thought it would be her. All of them were really, really sorry that it happened to me.
Well, you know, the best compliment I've ever gotten from a coworker is Anna Drezen, who is a longtime friend of mine from college, which she was like - one day she turned to me and she said, you know, Bowen, you make video games seem accessible or you make it seem - you make them seem less esoteric or whatever she said.
Even though she's dealing with a scar, Emily just carries on with life. It's not a big deal. While we were shooting the scene, I tried it different ways. I tried it where I was hiding my face, and Chris [Weitz] was like, "Let's try it where she doesn't care," and that's who she is. She doesn't care what anybody else thinks.
I'm sorry to burden you,' she said. She felt like a crybaby. 'What can we do with our stories,' he said, 'but tell them?
Sorry for hurting you, she said right in my ear, but it wasn't really an apology, because you don't bite someone's earlobe to tell them you're sorry.
Why don't you ever use your strength on me?" she said. Because love means renouncing strength," said Franz softly.
As I raced out of the office, I could hear Emily rapid-fire dialing four-digit extensions and all but screaming, 'She's on her way-- tell everyone.' It took me only three seconds to wind through the hallways and pass through the fashion department, but I had already heard panicked cries of 'Emily said she's on her way in' and 'Miranda's coming!' and a particularly blood curdling cry of 'She's baaaaaaaaaaaaaaaaaaaack!
I have a little tiny Emily Dickinson so big that I carry in my pocket everywhere. And you just read three poems of Emily. She is so brave. She is so strong. She is such a sexy, passionate, little woman. I feel better.
The sun came through the branches of the tree above her, and Ruth looked up past them. "I think she listens," she said, too softly to be heard.
Bill said, "She is mine." I wondered if my hands would move. They would. I raised both of them, making an unmistakable one-fingered gesture. Eric laughed, and Bill said "Sookie!" in shocked admonishment. "I think that Sookie is telling us she belongs to herself," Eric said softly.
I offer Emily half of my hit of acid- Love Saves the Day. It's my second or third time tripping, Emily's first, and she's understandably trepid. Awake all night, at one point I find her touching her reflection in a cruelly lit dorm bathroom, asking if she'll ever be the same. I kiss her then for the first time and whisper, No.
She chews her lip, staring into my eyes. "Okay... Why did you kiss me in Austin?" I laugh softly and she frowns. "Sorry. That one's too easy." My gaze flicks to her mouth and back. "I'd wanted to kiss you ever since Quinton suggested playing spin the bottle, and by that night in your room, I'd run out of willpower to fight it.
Here you go, dear."" The corners of Mrs. Colbert's mouth curled up. "You like meat, don't you?" Emily blinked. Was it her, or did that statement seem...loaded? She checked Issac for his reaction, but he was innocently selecting a roll from a wicker basket. "Uh, thanks." Emily said, pulling the platter toward her. She did like meat. The kind you, um, eat.
It's always the mother's fault, ain't it?" she said softly, collecting her coat. "That boy turn out bad cause his mama a drunk, or she a junkie. She let him run wild, she don't teach him right from wrong. She never home when he back from school. Nobody ever say his daddy a drunk, or his daddy not home after school. And nobody ever say they some kids just damned mean.
Emily suffers no more from pain or weakness now. She will never suffer more in this world. She is gone after a hard, short conflict...Yes there is no Emily in time or on earth now. Yesterday we put her poor, wasted, mortal frame quietly under the chancel pavement. We are very calm at present. Why shoud we be otherwise? The anguish of seeing her suffer is over; the spectacle of the pains of death is gone by; the funeral day is past. We feel she is at peace. No need now to trouble for the hard frost and the keen wind. Emily does not feel them.
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