A Quote by Jennifer Egan
some mornings... I sit at the kitchen table shaking salt into the hairs on my arm, and a feeling shoves up in me: it's finished. Everything went past without me.
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It's finished. Everything went past, without me.
My art career actually began under the kitchen table. My mother wanted to get me out of her hair while she cooked, so she laid out some paper and pencils on the floor under the kitchen table.
It's nice to finally be able to wake up and tie my shoes without feeling like I'm about to tip over, or walk a straight line without feeling dizzy, or be able to feel my left arm. That means a lot more to me.
Finished, it's finished, nearly finished, it must be nearly finished. Grain upon grain, one by one, and one day, suddenly, there's a heap, a little heap, the impossible heap. I can't be punished any more. I'll go now to my kitchen, ten feet by ten feet by ten feet, and wait for him to whistle me. Nice dimensions, nice proportions, I'll lean on the table, and look at the wall, and wait for him to whistle me.
A lot of my friends, when I was 14 or 15, they were all up and down, wanting to go out on a Friday night, and my dad had me working really late on Fridays and Saturday mornings and even on Sunday mornings. And when I'd finished all that, we used to spend the rest of the time talking about boxing.
With film, I always sit with people first and talk a while, and then we read or sing or whatever. I never sit behind a table. I get up; I work with them. I do everything I possibly can to not audition them. I can find out the best of them from them feeling comfortable and appreciated. I'd never let someone leave feeling not valued.
We sat down and Lend put his arm around me. Every single jaw at the table dropped. "Man," John said, shaking his head. "All this time I was pretty sure you were gay.
When people come up to me and say, "I was at your Game 7 in the playoffs in Toronto," or, "I saw your first goal in the NHL," that triggers memories. But I don't sit around my kitchen table and tell my kids, "You know, one year I got 92 goals."
I have two kids who were like me, we get out of bed feeling good, and the other two would sit at the breakfast table and grumble. I think it's born into us. I usually wake up feeling pretty good. Looking forward to the day.
When I find material that gives me a natural yet unique character point of view and has well - developed characters throughout the script, it makes the hairs on my arm stand up.
There’s no grandfatherly fondness in me, There are no gray hairs in my soul! Shaking the world with my voice and grinning, I pass you by, - handsome, Twentytwoyearold.
On the good days, my mother would haul out the ukulele and we'd sit around the kitchen table - it was a cardboard table with a linoleum top - and sing.
Everything for me has happened so quickly. I finished shooting 'The Blind Side' not this past June, but the June before, and all of sudden up to now, it seems like it's gone from zero to 60 for me. I feel so fortunate to be able to say that.
I would sit at the table with the black kids during lunch, and we'd do our banter back and forth. But occasionally, I'd get up and I'd go sit down with the white kids and chat with them and what not. Of course, because I come from the black table they would look at me like, 'Why are you here?'
It's not very glamorous. People certainly wouldn't think so if they saw me sitting in my woolly socks at the kitchen table. Many times I sit at the typewriter and think, 'Why am I doing this?'
My life at home gives me absolute joy. There are some days when, as soon as you've finished cooking breakfast and cleaning up the kitchen, it's time to start lunch, and by the time you've done that, you're doing dinner and thinking, 'There has to be a menu we can order from.'
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