A Quote by Jennifer Egan

I think, The world is actually huge. That's the part no one can really explain. — © Jennifer Egan
I think, The world is actually huge. That's the part no one can really explain.
A lot of the other companies in the space have really left a bad taste in regulators' mouths. It's actually been a huge advantage when we come in and we take the time to sit down and get to know them, explain the business, explain what we do.
Acting is such a huge part of my life. It really allows me to have a creative outlet and to actually be able to have an outlet to discuss openly the things that truly I think are relevant in the world, that make a difference.
I think everything's a part and parcel of being in this profession, rejection being a huge, huge part of it, and I can't tell you how grateful I am for all those rejections because one thing that I understand is that you have to be really, really strong headed, you have to be very level headed, If you want to be in this industry.
Improv is such a huge part of my background, and a huge part of character discovery is really being inside the character and trying to think through them without the limitations of the script.
I guess I'm depressed. I don't know. I can't explain it. Part of it is the irritability of being 84, and part of it is being not as physically strong as I once was. And part of it is my misunderstanding, I think, of what's going on in the world.
A huge part of my identity is being a woman, and that's really important for me, and that's a big part of my self-expression, so I think it's really interesting sort of exploring what it means if someone doesn't have that.
I really love movie soundtracks and stuff like that. That's really a huge part of any movie. I actually think about... that this would be cool in a movie or something, like when I'm writing a song, or something you know?
Asia has always been a really exciting part of the world for me, personally. And it actually was the first part of the world that bought my brand, strangely enough.
I'm sure that in the future, every part of the world will recognize that Holodomor is a huge tragedy for Ukraine, and was actually the destruction of Ukrainian people.
I think there's a huge - there's a huge desire in me to make sense of the world in a way that I think you can trace back to that early disruption, this idea of wanting to compensate for that really kind of traumatic experience and sort of seeing its impact on my immediate and extended family.
I actually have huge respect for Lorne Michaels. I think that guy is really something.
But you know, really, if you think about it Roger and I and all critics really have one absolute essential part of our credentials and that is that you believe that that is actually what we think.
I have this theory that people are actually really hungry for sonic space and understanding words, and I think that people are ready to look back and actually appreciate some of what came before. And then you really do have the entire movement that I'm just going to call feminist, because I am a feminist. I think the education of young girls and women about what came before has started and I think that the knowledge of Fanny is part of that.
The pop world is cool, but I never really thought of myself as part of it or wanting to be a part of it because I'm on a label that's not really like that. They're not trying to dress me up, they're not trying to do things like that. I feel like I'm sort of separate from that, actually.
I think, honestly, that a lot of people think I'm sad and dark all the time, because of the music I have made. But there's a huge part of my personality that's really energetic, outgoing and goofy.
Being part of a community of writers is huge. I really think that's why people go to MFA programs.
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