And it may be that a crowd at a particular moment of history creates the object to justify its gathering, as it did at the first Human Be-In and Monterey Pop and Woodstock. Or it may be that two generations of war and surveillance had left people craving the embodiment of their own unease in the form of a lone, unsteady man on a slide guitar.
By the artist's seizing any one object from nature, that object no longer is part of nature. One can go so far as to say that theartist creates the object in that very moment by emphasizing its significant, characteristic, and interesting aspects or, rather, by adding the higher values.
I feel history is more of a story than a lesson. I know this idea of presentism: this idea of constantly evoking the past to justify the present moment. A lot of people will tell you, "history is how we got here." And learning from the lessons of history. But that's imperfect. If you learn from history you can do things for all the wrong reasons.
A crowd, whether it be a dangerous mob, or an amiably joyous gathering at a picnic is not a community. It has a mind, but no institutions, no organizations, no coherent unity, no history, no traditions.
I tend not to hang with 'the crowd' because I believe that at any given moment in history, the crowd is only standing somewhere because some lone, brave nutjob broke down the walls for them first.
An object of art creates a public capable of finding pleasure in its beauty. Production, therefore, not only produces an object for the subject, but also a subject for the object.
In my humble opinion, propaganda is one of the most evil tools humans have used against humans throughout history to justify wars, justify atrocities, justify evil. ISIS has taken it to a new extreme.
The sublime can only be found in the great subjects. Poetry, history and philosophy all have the same object, and a very great object-Man and Nature. Philosophy describes and depicts Nature. Poetry paints and embellishes it. It also paints men, it aggrandizes them, it exaggerates them, it creates heroes and gods. History only depicts man, and paints him such as he is.
A poet's object is not to tell what actually happened but what could or would happen either probably or inevitably.... For this reason poetry is something more scientific and serious than history, because poetry tends to give general truths while history gives particular facts.
We may produce at will, from a sending station. an electrical effect in any particular region of the globe; we may determine the relative position or course of a moving object, such as a vessel at sea, the distance traversed by the same, or its speed.
Gathering of the Vibes is a gathering of the elders, a gathering of the youth, a gathering of family
A history in which every particular incident may be true may on the whole be false.
Desire means you are dragged out of the moment; that creates a tension, that creates anxiety, that creates hope. And then finally hope turns sour, becomes frustration. Each hope leads you into anguish. Buddha calls it the only impurity. Cut the roots of desire, live in the moment so totally, pull yourself out of the past and don`t project yourself into the future. Let this moment be all and all. And your life will have such a purity, such a crystal-clear consciousness that right now you cannot imagine.
Whether I am performing for an elite crowd or a crowd of 20,000 people - the moment someone asks for 'Agneepath,' and I respond 'Agneepath' chahiye?' the noise in the crowd, shows that this song has become huge.
My object will be, first, to show by what connections the history of the fossil bones of land animals is linked to the theory of the earth and why they have a particular importance in this respect.
I had this feeling that, somehow, we ought to be teaching not just the history of particular nations or particular regions, but the history of humanity.