A Quote by Jennifer Egan
When I first had a child, I really had a hard time trying to figure out how it was all going to fit together. Because I felt like, when I was with him, I wanted to be writing and I should be writing. And when I was writing, I felt like I should be with him, and wanted to be with him. So I was unhappy a lot.
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She rested her head against his and felt, for the first time, what she would often feel with him: a self-affection. He made her like herself. With him, she was at ease; her skin felt as though it was her right size.. It seemed so natural, to talk to him about odd things. She had never done that before. The trust, so sudden and yet so complete, and the intimacy, frightened her.. But now she could think only of all the things she yet wanted to tell him, wanted to do with him.
I didn't know until high school that I was interested in writing in any real way. But there was this boy that I had a crush on, and I used to tell him all the time what I felt about him. Finally he gave me a blank journal and said to write it all down - and it didn't take me very long to realize how much I loved writing.
I was able to sit at Lincoln's side and see how he thought and how he acted, and how he felt about what was going on around him. I felt the pressures that were on him. You can see what people were writing to him, how they were nudging him.
I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.
And I felt more like me than I ever had, as if the years I'd lived so far had formed layers of skin and muscle over myself that others saw as me when the real one had been underneath all along, and I knew writing- even writing badly- had peeled away those layers, and I knew then that if I wanted to stay awake and alive, if I wanted to stay me, I would have to keep writing.
I wondered what my father had looked like that day, how he had felt, marrying the lively and beautiful girl who was my mother. I wondered what his life was like now. Did he ever think of us? I wanted to hate him, but I couldn't; I didn't know him well enough. Instead, I wondered about him occasionally, with a confused kind of longing. There was a place inside me carved out for him; I didn't want it to be there, but it was. Once, at the hardware store, Brooks had shown me how to use a drill. I'd made a tiny hole that went deep. The place for my father was like that.
I felt like I had experienced a lot of things in the first chapter of my life, and I wanted it to inspire and motivate people, so I just started writing.
we should write because writing brings clarity and passion to the act of living. writing is sensual, experiential, grounding. we should write because writing is good for the soul. we should write because writing yields us a body of work, a felt path through the world we live in.
But I felt like Pablo Escobar felt like he was an honorable businessman. And when he killed people, I think he felt he did it because they were honorable. That they were liars and were trying to cheat him. I don't think he had a lot of respect for the politicians in Columbia at the time, so he had quite a lot of fun killing them.
For me, the hardest part is getting up and writing, that's the hard part. I always felt like I could teach someone to direct if I really had to. I feel like it's a skill that's passable, but writing... writing is the worst. That's what I'm doing right now, it's just the hardest thing that you'll ever do.
We had a great connection with Pedro Almodovar from the beginning. Even before I met him, it was so strange. I felt like I already knew him. I loved him even before I met him. It was so powerful. And when I looked at him in the eyes, this was the feeling that I knew I was going to have with him. It gets bigger and bigger every day. I adore him. It's much more than working together. He's a really special person in my life.
I realised that I had always been writing things that other people wanted me to write and not what I really wanted to write, so I felt like I was losing my way.
I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
[On her husband:] The other day he woke up with a headache. I felt sorry for him. I would like to help him but I can't. I told him so many times. When he jumps out of bed - it should be feet first.
When I had the idea for 'Shopaholic', it was as though a light switched on. I realised I actually wanted to write comedy. No apologies, no trying to be serious, just full-on entertainment. The minute I went with that and threw myself into it, it felt just like writing my first book again - it was really liberating.
I was not really angry: I felt for him all the time, and longed to be reconciled; but I determined he should make the first advances, or at least show some signs of an humble and contrite spirit, first; for, if I began, it would only minister to his self-conceit, increase his arrogance, and quite destroy the lesson I wanted to give him.
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