A Quote by Jennifer Egan

If you don't have people that the reader cares about and stories that are gripping, you've got nothing. — © Jennifer Egan
If you don't have people that the reader cares about and stories that are gripping, you've got nothing.
Stories? We all spend our lives telling them, about this, about that, about people … But some? Some stories are so good we wish they’d never end. They’re so gripping that we’ll go without sleep just to see a little bit more. Some stories bring us laughter and sometimes they bring us tears … but isn’t that what a great story does? Makes you feel? Stories that are so powerful … they really are with us forever.
So this guy, Jeff Johnson, who is an accountant who cares nothing at all about a free press and cares nothing about journalism, he's a right winger who supported the war, you know, who two years ago told people he couldn't stand a word that I wrote.
My sentences got sharper and my stories more efficient, and I gradually learned to imagine the reader more clearly and to empathize with that imagined reader, which is a crucial part of learning to tell stories.
Good characters the reader cares about combined with an intriguing plot. Do those two and you've got it made.
In Leading with Honor, Lee uses gripping stories from the POW camps to engage the reader and teach invaluable principles of leadership. I highly recommend this book for developing leaders at all levels in any organization, military of civilian.
It's rather useless to write a gripping narrative with nothing in it but climate change because novels are always about people even if they purport to be about rabbits or robots.
There are two tests that we [writers] have for all of our writing: So What? and Who Cares? There is an answer to both. The answer to Who Cares is that a reader cares, if the writing is good. The answer to So What is that these ideas give us completely new understanding, change our sense of who we [people] are and why we're here [on this planet].
I really believe in people putting stories out there that contain the most difficult moments because nothing to me is more lonely making than sanitized stories or airbrushed stories that kind of allied how hard it got.
I dislike that premise implies that a fiction writer is incapable of dreaming up stories that can bring readers to tears, that if you are lucky enough to be living a pretty sedate life ,as I am, you've got nothing worthy of writing about, that you're incapable of making a reader's gut wrench.Frankly, that's what makes readers nervous, the sorcery of you or me or any good fiction writer making up characters who feel like real people, of telling a story that feels true but isn't.
When you're a mom and you have three children, nothing bothers you. Trust me. Who cares what people say? I've got other things to deal with.
When you're a mom to three children, nothing bothers you. Trust me. Who cares what people say? I've got other things to deal with.
I try to do stories that make a difference - stories that affect the way people think, stories that people need to hear - and usually what drives me is to do stories about people who have no voice, people who have no political power, people who are overlooked by society.
I try to do stories that make a difference -- stories that affect the way people think, stories that people need to hear -- and usually what drives me is to do stories about people who have no voice, people who have no political power, people who are overlooked by society.
One can always be kind to people about whom one cares nothing.
I'm a real person that cares about his art and cares about what he's doing. I have a heart and a soul and I want to touch people and give.
I am a real person that cares about his art and cares about what he's doing - I have a heart and a soul and want to touch people and give.
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