A Quote by Jennifer Egan
Time is always a component of place; you can't really talk about where without talking about when.
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I think, at some level, we see young people all over the country mobilizing around different issues, in which they're doing something that I haven't seen for a long time. And that is, they're linking issues together. You can't talk about police violence without talking about the militarization of society in general. You can't talk about the assault on public education unless you talk about the way in which capitalism defunds all public goods. You can't talk about the prison system without talking about widespread racism. You can't do that. They're making those connections.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
Even Tom Sawyer had a girlfriend and to talk about adults without talking about their sex drives is like talking about a window without glass.
I think any information about any type of art form, it's always the right time. But since the last one, I could see there were many things about the culture of DJing that we don't really talk about. We don't really look at how the music is made, how it's conceptualized, how it's put together. We talk about the equipment and the software, but we don't talk about the reasons why we put the music together in the first place.
To talk about adults without talking about their sex drives is like talking about a window without glass.
For me at this time in my life I recognize that everything is about moving closer to that which is God. And without a full, spiritual center - and I am not talking about religion, I am talking about without understanding the fullness from which you've come you can't really fulfill your supreme moment of destiny.
When we talk about total war, and we talk about war zones, and we talk about the breakdown of the cities, when you exclude questions of race from that discourse, something disappears that's really central to the forms of repression that we're talking about.
I'm single and loving it. It is always weird talking about that stuff. When someone is talking about who they are going out with, I am always like, who cares? Talk about your music or something.
I'm always talking about getting playing time. If I don't do anything about it when I do get the opportunity, all that talk is about nothing.
You can't talk about solving the economic problem of the Negro without talking about billions of dollars. You can't talk about ending the slums without first saying profit must be taken out of the slums. You're really tampering and getting on dangerous ground because you are messing with folk then. You are messing with captains of industry. Now this means that we are treading in difficult water, because it really means that we are saying that something is wrong with capitalism.
The basic thing is to be humble, and pretend you're a bartender in the tavern of life. Don't get too comfortable and don't really listen to anybody else. Don't stand around with a bunch of writers and talk about writing. You know when you see plumbers at a plumbers convention, usually they're not talking about plumbing: they're talking about whatever it is that two men happen to talk about. They're talking about sports, their wives and children. I just tell my students, don't talk about writing too much, just go out and do it. Find out whatever you need to get to the mainland.
It is impossible to talk about slowing climate change without talking about reducing CO2 emissions. Equally, it is impossible to talk about adapting to climate change without considering how we will feed ourselves. And it is out of the question that we can adapt agriculture without conserving crop diversity.
I've never just said things recklessly without thinking about it or talking to people about it. I always go back to my people and talk to them about it.
I know that love is ultimately the only answer to mankind's problems. And I'm going to talk about it everywhere I go. I know it isn't popular to talk about it in some circles today. I'm not talking about emotional bosh when I talk about love, I'm talking about a strong, demanding love.
You cannot talk about race without talking about privilege. And when people start talking about privilege, they get paralyzed by shame.
I feel like when we talk about post-apocalyptic themes that's what we're really talking about. We're always returning to this sense of being alone in a strange new place where all is bleak and all is lost. And it is this sense of isolation that permeates the whole album. I wanted to go into the balance between fear and transcendence.
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