A Quote by Jennifer Egan
I spend so long writing each of my novels that by the time I'm done with one, I'm ready to discover a totally different world.
Related Quotes
It's funny - for a long time, I didn't know I was writing a book. I was writing stories. For me, each story took so long and took so much out of me, that when I finished it, I was like, Oh my gosh, I feel like I've poured everything from myself into this, and then I'd get depressed for a week. And then once I was ready to write a new story, I would want to write about something that was completely different, so I would search for a totally different character with a different set of circumstances.
Sequels are generally done in a rush. They're done with a sense of urgency. The first time, you spend a long time developing to get it over the line. The second time, you don't. Your expectations are different, and your motivations are different.
Writing fiction is very different to writing non-fiction. I love writing novels, but on history books, like my biographies of Stalin or Catherine the Great or Jerusalem, I spend endless hours doing vast amounts of research. But it ends up being based on the same principle as all writing about people: and that is curiosity!
Writing is not a job or activity. Nor do I sit at a desk writing for inspiration to strike. Writing is like a different kind of existence. In my life, for some of the time, I am in an alternative world, which I enter through day-dreaming or imagination. That world seems as real to me as the more tangible one of relationships and work, cars and taxes. I don't know that they're much different from each other.
Movies are not novels, and that's why, when filmmakers try to adapt novels, particularly long or complex novels, the result is almost always failure. It can't be done.
In fact, writing, especially writing autobiographical works, and this is actually the fourth time I've done it, each time I've done it I've felt deeply immersed in the material as I'm doing it, and then it's over and everything is the same.
I don't think the relationship between novels and realities are one to one. Of course novels play different roles. It's essentially just a long narrative form. What you use that long narrative form for can be very different.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
I seem to get totally wrapped up in teaching and working with students during the school year. During the summer, I try to spend time in the real world, writing code for therapy and perhaps for some useful purpose.
We have a really aggressive travel schedule at 'Expedition Unknown.' We spend a lot of time out of the country and we spend most of the time that we are back either preparing for the next expedition or writing, editing and getting shows ready to air. It really is a year-round lifestyle.
My novels tend to take a long time to become exactly what they're going to be. They're fluid messes until I've done a ton of editing and refining and rewriting. When I write novels, I always make related scrapbooks to help me organize and test my intentions.
Although I now spend most of my time writing novels for teenagers and adults, 'readaloudability' is still a criterion I try to adhere to.
Here's the thing about romance novels: The moment when the hero and heroine discover that they're perfect for each other is often the moment when it's them against the world.
'Particularly' is particularly difficult because the 'L' and the 'R' are totally different, like totally different letters. I would spend hours in front of the mirror with my dialect coach to observe my tongue. You don't think, when you speak, about all the things that happen in your jaw and your mouth, how everything reacts, so you have to watch all those things and realise we have a totally different use of our tongue and jaws.
In many ways, a song-writing partnership is like a marriage. Apart from just liking each other, a lyricist and a composer should be able to spend long periods of time together - around the clock if need be - without getting on each other's nerves. Their goals, outlooks, and basic philosophies should be similar.
I feel that when two people are married - not that you have to totally give up your career - you have to spend time with one another, get to know each other more, just share things with each other.
Related Authors
Charles Bukowski Quotes
American
Novelist
Charles Dickens Quotes
English
Novelist
Chuck Palahniuk Quotes
American
Novelist
Ernest Hemingway Quotes
American
Novelist
George Eliot Quotes
British
Novelist
George Orwell Quotes
British
Novelist
George R. R. Martin Quotes
American
Novelist
Jane Austen Quotes
British
Novelist
Johann Wolfgang von Goethe Quotes
German
Novelist
Margaret Atwood Quotes
Canadian
Novelist
Nicholas Sparks Quotes
American
Novelist
Paulo Coelho Quotes
Brazilian
Novelist
Sarah Dessen Quotes
American
Novelist
Stephenie Meyer Quotes
American
Novelist
Veronica Roth Quotes
American
Novelist
Victor Hugo Quotes
French
Novelist