A Quote by Jennifer Egan

I number my drafts, and by the time a book is done, I'll have 75 or 80 drafts of some sections. — © Jennifer Egan
I number my drafts, and by the time a book is done, I'll have 75 or 80 drafts of some sections.
I've done as many as 20 or 30 drafts of a story. Never less than 10 or 12 drafts.
And when my second book had come out, "Wild Gratitude," I went to Pearl London's class and she worked through different drafts of poems and there were the drafts of my poem, "Wild Gratitude," and I saw that I had begun the poem with the title "August 13th."
I write by hand in my notebooks and number the drafts, so I know how crazy I can get with this. Some writers, like my teacher Marilynne Robinson, she only writes one draft. I've thought about this a lot; I think it's because she writes it 80 times in her head before it comes out.
I had written eight drafts of the Lemony Snicket' screenplay when this changing-of-the-guard thing happened, and I said to the new producers, "I don't think I could write any more drafts." I guess I was sort of hoping they would say, "Well that's okay, this last one is perfect." But instead, they said, "It's funny you should say that. We don't think you can write any more drafts either."
When I am working on an epic-length book, the writing process is fairly long. It takes from four to five years to get through all the drafts. The book is done when I am exhausted.
By the time you write the last page you have done half the book. The other half tends to get done in about five weeks; I do several drafts, very, very furiously rewriting. I literally do more or less nothing else and I stick with it and go through it and I begin to hate it.
I didn't intentionally emplace the raw material needed for political/allegorical readings into any of the first drafts, but sooner or later I saw it coming, and I did intentionally not cut it from some of the final drafts. In other words, I'm not particularly interested in encouraging readers to read certain stories that way, but I want to make sure that route's accessible should anyone be so inclined.
Once I've got the first draft down on paper then I do five or six more drafts, the last two of which will be polishing drafts. The ones in between will flesh out the characters and maybe I'll check my research.
I have to re-write a lot. I couldn't tell you how many drafts I write, but I know I've done at least twenty rewrites on each book.
I don't think anything I've written has been done in under six or eight drafts. Usually it takes me a few years to write a book. 'World's Fair' was an exception. It seemed to be a particularly fluent book as it came. I did it in seven months. I think what happened in that case is that God gave me a bonus book.
I don't read anything electronically. I don't write electronically, either - except e-mails to my family and friends. I write in longhand. I have always written first drafts by hand, but I used to write subsequent drafts and insert pages on a typewriter.
In my office in Florida I have, I think, 30 manuscript piles around the room. Some are screenplays or comic books or graphic novels. Some are almost done. Some I'm rewriting. If I'm working with a co-writer, they'll usually write the first draft. And then I write subsequent drafts.
I hate first drafts, and it never gets easier. People always wonder what kind of superhero power they'd like to have. I wanted the ability for someone to just open up my brain and take out the entire first draft and lay it down in front of me so I can just focus on the second, third and fourth drafts.
I'm always intrigued by authors who say, 'This book took 17 drafts.' They're very clear about it. I couldn't possibly count the number of times... So many of these stories I worked on for a very long time and wrote them, set them aside, rewrote them, worked on something else - they were never far from reach; they informed each other.
To be honest, I wrote so many drafts of this book [ The Nightingale ] and changed the characters so many times; the real surprise is that I finished the book at all.
Once I have a book in my head, I write progressive drafts fast and obsessively and have trouble sleeping.
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