I think because I did a lot of modelling and appeared in lads mags a lot of women didn't necessarily warm to me. But now I have been through childbirth, post-natal depression and struggled with my weight, women seem to relate to me a lot more.
There's a lot of women now with a whole lot of style but they are not necessarily song stylists. Some of their style is a lot like me and a lot of people sound a lot alike - you can't tell them apart.
I think that women, especially women in my job, come to me because they know I'm very loving and nonjudgmental and I'm not competitive, and I've been through a lot.
I love women. I love their hearts. There are a lot of women who are suffering. A lot of women who have been disappointed, have been let down. One thing I'd like women to know is the message: Hold on. Hold on. Be faithful to your kids. Hold on for the future because life doesn't always necessarily stay the way that it is. It will get better.
What's surprising to me now is that now that I'm talking to a lot of women about this, so many women are doing this. Straight women, lesbian women, bisexual women, poor women, White women, immigrant women. This does not affect one group.
Women are outfundraised. Why? Because men have been doing it a lot longer. And, so not only do they have entry into the money, they have connections that a lot of women don't. Women are a lot older most of the times when they run for office because of the stigma.
Throughout my career I've played a lot of parts that might've been played by a man. They're human roles rather than specifically men or women. I've never been as hooked into that as a lot of women are, you know, like, 'There aren't enough roles for women.' There aren't necessarily a lot of good roles for anybody.
I was a threat to a lot of women and to a lot of men. The women cannot forgive me if I remain single and also have a family. But I have a family as well and am raising them. A lot of women only stay in their marriages because of the children so seeing me on my own annoys them.
I think the '80s created me, in a way, when I look back on that time, but I don't necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me - or I let happen to me - were about that decade.
People think that women don't negotiate because they're not good negotiators, but that's not it. Women don't negotiate because it doesn't work as well for them. Women have to say, 'I really add a lot of value, and it's in your interest to pay me more.' I hate that advice, but I want to see women get ahead.
I know that it's a big struggle with a lot of women to dress up - especially now women have been working - because it can be uncomfortable. So it was important to me with my role to make clothes that are slightly more dressed up but easy to wear.
A lot of people who are in charge in Hollywood are women, so they have the power. Now, I've met a lot of these amazing women who are offering opportunities to other women, and they're awesome. But for the women who maybe haven't done that yet, it's like, why?
I am optimistic. I think that there are a lot of women producing things, not necessarily in the studios. Actresses are putting stuff together. I think there are more stories about women of color [and] older women. But it is slim pickings.
There are a lot of women who do a similar job to me who are paid a hell of a lot more... who are a lot posher than me.
As a younger person, I was obsessed with Ray Bradbury, and I think his stories did more to shape me as a storyteller than anybody else - even though, when I read them now, a lot of them seem overly sentimental. But that's probably the writer that I've thought about the most, even though I don't necessarily like a lot of his work.
I'm not interested in making all-black films - I come from a very diverse culture, I want to work with every type of person. I work a lot with women executives because they seem to be a lot more open minded about that and a lot more progressive in that way.
I'm not interested in making all-black films - I come from a very diverse culture; I want to work with every type of person. I work a lot with women executives because they seem to be a lot more open minded about that and a lot more progressive in that way.