A Quote by Jennifer Estep

I know that look. What are you up to, Gwen?" "What makes you think I'm up to something?" The Valkyrie snorted. "You're breathing, aren't you? — © Jennifer Estep
I know that look. What are you up to, Gwen?" "What makes you think I'm up to something?" The Valkyrie snorted. "You're breathing, aren't you?
Gwen is someone that girls can look up to and feel like they know. She is very Everygirl.
I know that maniacal twinkle in your eye. You're up to something Gwen," he said.
I love how Pilates makes me feel, like it opens me up. I have the hardest time breathing, weirdly enough. Even when I have conversations, I need to work on my breathing, so it's something I enjoy because it's peaceful and it helps me relax.
I think something that's very important for us to communicate is usually very simple. Like breathing: Breathing is very simple. You don't do a dissonant 9th harmony or something in breathing. You just breathe, you know. I think that's how it is with very important messages.
I snorted "oh, beauty. What's that good for?" Mary stared, her eyes round. "It won you the prince, did it not?" I snorted again, I prefer to think that he was captivated by my charming personality." I giggled to let Mary know I was trying to make fun of myself.
The rain battered the cottage. Valkyrie risked a look up at Skulduggery. “What is it?” she whispered. “It’s a box,” he whispered back. “What kind of box?” “A wooden one.” She gave him a look.
I can always look up at the cosmos and marvel, no matter what happens. And when I look up at it, I feel as though my problems are small. I don't know why, but it always makes me feel better.
I know the stars are my home. I learned about them, needed them for survival in terms of navigation. I know where I am when I look up at the sky. I know where I am when I look up at the Moon; it's not just some abstract romantic idea, it's something very real to me. See, I've expanded my home.
I think that I just wasn't brought up under any rules, and I think that made me a little different and people wanted to look up to that or aspire to that, and that makes me very grateful.
I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.
To look back and know that I have had a pivotal role in the development of comics is something I'm very proud of, although it's not something I think about unless someone brings it up.
To have a child when you're older, it wrenches you up out of your nap and makes you look at things, you know, afresh. It forces the world on you. And I think it's a good thing.
We have to do what I would call anomalies: we have to look for strange things that show up once in a while. They don't show up all the time. We have to be scanning the horizon, and doing that, once in a while something will show up that makes a lot of sense, and then you act on it.
What I like about stand-up is, it's truthful. I'm not up there trying to get laid or look cool. I'm up there because I really love it, and it makes people happier.
Women are brought up to believe you are going to be the better parent and you know what's best. I don't think that's necessarily true. As much as we have to ask men to step it up, we have to take a look at ourselves and be willing to give up some of that parental power.
What is it?' Stephanie whispered. 'That, my dear Valkyrie, is what we call a monster.' She looked at Skulduggery. 'You don't know what it is, do you?' 'I told you what it is, it's a horrible monster. Now shut up before it comes over here and eats us.
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