A Quote by Jennifer Garner

I never use powder unless I'm about to be in front of a camera. I don't need that matte, crunchy feeling. — © Jennifer Garner
I never use powder unless I'm about to be in front of a camera. I don't need that matte, crunchy feeling.
The actors feel very free. The actor, he doesn't need to think about where the camera is, he just has to focus on what he's doing and forget the camera. The camera is never in the perfect position, and I think this is what keeps this feeling of reality. The frame is not perfect.
I could never imagine myself acting in front of a camera or doing anything in front of the camera. I was a very shy girl.
The true authenticity of photographs for me is that they usually manipulate and lie about what is in front of the camera, but never lie about the intentions behind the camera.
Learn to use your brains as deftly as your powder box, and then maybe you have a powder box and do not need.
We need to have more conversations about representation as well as the imbalance in terms of needing more women behind the camera and in front of the camera, and the diversity factor.
I never go to a gym unless I have to for a role, a contract. I try to take care of myself as a human being, not because I have to be in front of the camera.
The way NXT has been from day one when I was asked to do it, 'Don't put me on camera. I do not need to be on camera unless it's absolutely necessary. This isn't about me, it's about the talent,' and everyone that works in NXT, that's what we think.
Learn to use your brains as deftly as your powder box, and then, perhaps, powder box you will not need ... Know smart women men say beautiful - eyes snatched from the crowd and do not forget just charming.
We need women behind the camera like we do in front of the camera. That's when we will have stronger, smarter, better roles for us.
I taught myself to use a camera - it's not very difficult to use a camera, but I never bothered looking at any textbooks on how to make a picture. I had a much more casual relation to it. For me at the time it was much more about the process rather than the results.
Running backwards down the stairs, holding the camera, trying to focus on what's in front of you is difficult, and you need to be able to protect the camera.
All I kept thinking about was, "Man, he's so relaxed onstage! I'm never going to be that relaxed! I'm clearly not meant to be in front of the camera. I'm really not meant for anything but behind the camera."
Being in front of the camera - first of all, when I wanted to get into television, it was as a producer. I never had an idea that I would do anything in front of the camera, and that kind of happened by accident. But I wanted to be a producer or give me a job with the Yankees or play for the Knicks. I was a sports nut when I was a kid.
Templeton was down there now, rummaging around. When he returned to the barn, he carried in his mouth an advertisement he had torn from a crumpled magazine. How's this?" he asked, showing the ad to Charlotte. It says 'Crunchy.' 'Crunchy' would be a good word to write in your web." Just the wrong idea," replied Charlotte. "Couldn't be worse. We don't want Zuckerman to think Wilbur is crunchy. He might start thinking about crisp, crunchy bacon and tasty ham. That would put ideas into his head. We must advertise Wilbur's noble qualities, not his tastiness.
I have been in public for a long time, so the camera was never an issue for me. I am very comfortable in front of a camera.
I couldn't be 'Johnny' in front of a camera in acting jobs and behind the camera I like to be 'Michael.' With directing, you can't do it by halves. There's a lot of reflection, and I have found that I, as 'Michael,' thrive on it. It's lovely coming home and feeling that stuff from a day's work as myself.
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