A Quote by Jennifer Gilmore
As writers, we don't just need to write about poverty or war or the immigrant experience.
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Here in New York, we're media obsessed. Writers write about writers who write about writers and reporters and freelancers, and it's just a festival of information. We're all analyzing and examining and predicting, and I can't imagine that it's like that everywhere else.
I knew I had to write about Canada. I just could not find in literature any examples of the immigrant experience that I've had.
For many American-Jewish writers, the dominant motifs have been cultural, secular, sometimes comic, often satirical. Writing about the religious component of Judaism, I found my own themes independent of the New York experience and the immigrant experience.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
I believe writers should be able to write about anything - anything - but there is also a sense in which your lived experience shapes what you write and what you don't write.
Young writers need to be encouraged to write - just write - with no restrictions on form, style or content.
There's a lot of material from my life in my books, but they're not really autobiographical, in the sense that they're not about my life. So, in 'A Feather on the Breath of God' I write about my parents, I write about this Russian immigrant, I write about the world of dance, but it isn't an autobiography; so much is left out.
Offhand, the only North American writers I can think of who have come from a background of rural poverty and gone on to write about it have been Negroes.
Most writers write to say something about other people - and it doesn't last. Good writers write to find out about themselves - and it lasts forever.
Americans think African writers will write about the exotic, about wildlife, poverty, maybe AIDS. They come to Africa and African books with certain expectations.
We think there are better solutions to fighting poverty because we see what the War on Poverty has produced. It produced tens of trillions of dollars in spending. It has been a 51-year exercise, and yet the poverty rates in America today are not much better than when we started the War on Poverty.
Poverty is a strange and elusive thing. ... I condemn poverty and I advocate it; poverty is simple and complex at once; it is a social phenomenon and a personal matter. Poverty is an elusive thing, and a paradoxical one. We need always to be thinking and writing about it, for if we are not among its victims its reality fades from us. We must talk about poverty because people insulated by their own comfort lose sight of it.
I understood at once, I am not living, but actively dying. I am smoking, living unhealthily. I’m shutting down. I need to go the other way, inside. And it was so clear to me what I was doing. It was suddenly perfectly clear. I understood, I need to write. Live here, in my words, and my head. I need to go inside, that’s all. No big, complicated, difficult thing. I just need to go in reverse. And not worry about what to write about, but just write. Or, if I’m going to worry about what to write, then do this worrying on paper, so at least I’m writing and will have a record of the anxiety.
In my first book, 'A Return to Love', I wrote about things in the outer world that need to change - how we need to ameliorate deep poverty, heal the earth, end war.
I think that I write about stuff that others don't write about. I don't have a bunch of love songs cuz I don't really have much boy experience. I just write about what I am actually going through in my real life.
I could never write about the sort of people John Cheever or John Updike or even Margaret Atwood write about. I don't mean I couldn't write as well as they do, which of course I couldn't; they're great writers, and I'm no writer at all. But I couldn't even write badly about normal, neurotic people. I don't know that world from the inside. That's just not my orientation.
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