A Quote by Jennifer Hale

I assume the body language no matter what in doing voiceover. There is a transformative aspect. — © Jennifer Hale
I assume the body language no matter what in doing voiceover. There is a transformative aspect.
I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voiceovers.
I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voice-overs.
At one time there were voiceover artists, now there are celebrity voiceover artists. It's unfortunate because these people need the money less than the voiceover artist.
There is a language older by far and deeper than words. It is the language of bodies, of body on body, wind on snow, rain on trees, wave on stone. It is the language of dream, gesture, symbol, memory. We have forgotten this language. We do not even remember that it exists.
It isn’t a matter of getting the body you want, it’s a matter of doing the most you can with the body you have.
The earliest language was body language and, since this language is the language of questions, if we limit the questions, and if we only pay attention to or place values on spoken or written language, then we are ruling out a large area of human language.
I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.
Reality prior to my language exists as an unthinkable thought. . . . life precedes love, bodily matter precedes the body, and one day in its turn language shall have preceded possession of silence.
Body language is a very powerful tool. We had body language before we had speech, and apparently, 80% of what you understand in a conversation is read through the body, not the words.
It has not been definitively proved that the language of words is the best possible language. And it seems that on the stage, which is above all a space to fill and a place where something happens, the language of words may have to give way before a language of signs whose objective aspect is the one that has the most immediate impact upon us.
Filmmakers tell actors to adjust their body language, and the famous presence of the actor is his or her body language. That is what makes them special and a movie star. An actor's capital is his body.
I love doing voiceover.
The angles of my body show you an awful lot. I started doing coke to feel open, but by that time, the hole had opened so wide that I'd fallen through. The body language in those photos tells you everything.
To me, that's the most exciting aspect of Pilates. It doesn't matter who you are - athlete or couch potato, toned or flabby, man or woman, young or old - you can do it. Every body can benefit.
I love doing voiceover work.
When I started doing pro wrestling, it wasn't the physical aspect doing the moves or taking the moves that was hard: it was interacting with the crowd, body movement, selling, getting that emotional attachment with people so they're invested in a match. That was the hard part.
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