A Quote by Jennifer Hyman
I'm a very social person, and I like being in different kinds of environments.
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What is more important today for the audience is to have different kinds of content. They like variety, they like different kinds of stories, different kinds of entertainment.
Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene its not one-on-one, its a one-on-12. Its very healthy, very comfortable, like a big pot luck supper among old friends.
Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene it's not one-on-one, it's a one-on-12. It's very healthy, very comfortable, like a big pot luck supper among old friends.
My experience with life is that it's very fragmented. In one place certain kinds of thing occur, and in another place a different kind of thing occurs. I would like my work to have some vivid indication of those differences. I guess, in painting, it would amount to different kinds of space being represented in it.
I was very interested in highlighting group behaviour and I wanted to show that I think this is very fundamental about being a human being... that we are herd animals actually. So, I was looking for different situations that take place in different kinds of groups.
One code prevails in the family; another, on the street; a third, in the workshop or store; a fourth, in the religious association. As a person passes from one of the environments to another, he is subjected to antagonistic pulls, and is in danger of being split into a being having different standards of judgment and emotion for different occasions. This danger imposes upon the school a steadying and integrating office.
We found that the most exciting environments, that treated people very well, are also tough as nails. There is no bureaucratic mumbo-jumbo... excellent companies provide two things simultaneously: tough environments and very supportive environments.
Im interested in the liberating aspect of being totally untethered, let loose in the worst possible environments. My favorite artists are always women that do things that are so wrong... I like things to be seven kinds of wrong. If they are seven kinds of wrong, sometimes the wrongs neutralize themselves, and the whole thing becomes.
What I like doing is being a different person. Every character is kind of different. So being able to be that person and then when you leave you're yourself again. So it's kind of weird to be like two different people, and I think that's kind of fun.
There are different kinds of concentration required to make a painting, different kinds of being present.
I feel like there's different kinds of evil and there's different kinds of villains, and as much as I would like to be dark and playing with knives... it's not me and it's not my look.
World cross-fertilization is fantastic. Immigration across the world has led to all kinds of fantastic new and exciting kinds of food being available. And there's all kinds of different kinds of restaurants.
If you look at 'Coraline' and you look at 'ParaNorman' certainly you can tell that there are threads of the same DNA between those two movies, but they're two very different kinds of movies. They look different, they feel different, they are very different kinds of movies.
I believe in free love and that's just how I feel. It's just my experience of being with different kinds of men and being born without a preference for a certain type of person. For me, that is my story in finding love in lots of different people, and that's been the second biggest influence in my music.
Growing up, I went to many schools, and I had to fit in to many different types of environments with totally different social groups. It helps me out as I move from job to job.
It has been said that a poem should not mean but be. This is not quite accurate. In a poem, as distinct from many other kinds of verbal societies, meaning and being are identical. A poem might be called a pseudo-person. Like a person, it is unique and addresses the reader personally. On the other hand, like a natural being and unlike a historical person, it cannot lie.
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