A Quote by Jennifer Jason Leigh
I think that's an incredible thing that we can do as actors - to feel empathy toward someone that you may otherwise detest, you know?
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I hope they're present in their lives and feel some kind of empathy. I think a lot of the mistakes that have been made in the world have been through a lack of empathy. If you can identify with someone else and empathise with someone else, then activism is a short step away, she explained in an interview with Parade.
When you are playing with someone who really has something to say, even though they may be otherwise quite different in style, there’s one thing that remains constant. And that is the tension of the experience, that electricity, that kind of feeling that is a lift sort of feeling. No matter where it happens, you know when that feeling comes upon you, and it makes you feel happy.
Being a dancer I've got the idea that through discipline and hard work, you can develop the ability to be in a different dimension within seconds. You can be vomiting, you can detest who you are, detest the world, detest every single thing, and the next moment you are in the light and you glow. You forget everything, and you are just flying. When you're onstage, you are someone else. Beyoncé is very conscious of this. She said to me, "I'm another person when I'm onstage." And I said, "Oh yes, you are! You are an animal when you are onstage. You are a stage animal."
Somewhere someone is traveling furiously toward you, At incredible speed, traveling day and night, Through blizzards and desert heat, across torrents, through narrow passes. But will he know where to find you, Recognize you when he sees you, Give you the thing he has for you?
Empathy occurs when we suspend our single-minded focus of attention and instead adopt a double-minded foucus of attention. When our attention lapses into single focus, empathy has been turned off. When we shift our attention to dual focus empathy has been turned on. Empathy is our ability to identify what someone else is thinking or feeling and to respond to there thought or feelings with an approriate emotion. Empathy makes the other person feel valued, enabling them to feel that their thoughts and feelings have been heard.
I have learned that with creatures one loves, suffering is not the only thing for which one may pity them. A rabbit who does not know when a gift has made him safe is poorer than a slug, even though he may think otherwise himself.
Turning a human being into a thing, an object, is almost always the first step towards justifying violence against that person. It is very difficult, perhaps impossible, to be violent to someone we think of as an equal, someone we have empathy with, but it is very easy to abuse a thing
Something as important and central and encompassing as empathy can't be all bad. I think empathy plays a role in intimate relationships, where you might want your partner not just to care about you or understand you but to feel what you feel.
The only thing I can say in comparison is when I play comedy characters; I definitely put empathy in right up at the forefront. I think if you believe in someone because you not necessarily feel sorry for them, but you can see how they are the way they are and you can laugh with them, but rather than laugh at them, you are on their side and I think it's
It's an incredible thing, how you can feel so taken care of by someone and yet feel, also, like you would die or do anything just for the chance to protect him back.
When we begin to set boundaries with people we love, a really hard thing happens: they hurt. They may feel a hole where you used to plug up their aloneness, their disorganization, or their financial irresponsibility. Whatever it is, they will feel a loss. If you love them, this will be difficult for you to watch. But, when you are dealing with someone who is hurting, remember that your boundaries are both necessary for you and helpful for them. If you have been enabling them to be irresponsible, your limit setting may nudge them toward responsibility.
There are lots of actors who insist on speaking the lines themselves, and you hear the same thing from directors and the audience, but I don't think it's worth getting het up about. I think it makes more sense to use someone who speaks that country's language: that's what voice actors are for.
Just to get the basic fundamentals and empathy - I think that's the most important thing to bring to it if you've acted in the past and are now a director: the empathy.
Acting is not a mystery. There's nothing that I know that other actors don't know. We all act, we're all actors, we all know the same thing. The only thing that separates us is experience.
I told you once that I was searching for the nature of evil. I think I've come close to defining it: a lack of empathy. It's the one characteristic that connects all the defendants. A genuine incapacity to feel with their fellow man. Evil, I think, is the absence of empathy.
Actors use who they are to be someone else, but I would hate to ever think I'm playing myself. It's imagining being someone else that is the key motivating thing for me. So when people want to know about me, it makes me a bit unnerved.
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