A Quote by Jennifer Lawrence
As soon as somebody farts around me, I think it's hilarious. This is something my brothers did that now the boys at work are obsessed with. You cup it, and then you throw it in someone's face and say, ‘Take a bite out of that cheeseburger!'
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I never take a picture of a face because a face is somebody, an arm is not recognizable as somebody. When you take a photograph of someone's face, it identifies it as somebody, but if you take just a fragment, it's everybody. It's not one person.
When I was a little kid - and I don't know why - I was obsessed with littering. I'd yell at people in their cars if I saw someone throw paper or a cup out of their window.
Back then, as a teenager, I kept thinking, Why don't the adult around here just say something? Say it so they know we don't accept segregation? I knew then and I know now that, when it comes to justice, there is no easy way to get it. You can't sugarcoat it. You have to take a stand and say, 'This is not right.' And I did.
My grandfather had two boys, my uncle had three boys, my dad had me and my two brothers, each of my brothers have had two boys. Then something happened with the chromosomal experiment and suddenly I've got three girls.
I thought if only I had a keen, shapely bone structure to my face or could discuss politics shrewdly or was a famous writer Constantin might find me interesting enough to sleep with. And then I wondered if as soon as he came to like me he would sink into ordinariness, and if as soon as he came to love me I would find fault, the way I did with Buddy Willard and the boys before him.
Well, I think if somebody says something that I don't agree with, I don't think that I should bite my tongue. I don't think anyone should bite their tongue. And if I have said over and over I don't like something and it's constantly being done or I'm being disrespected, then you've got hell to pay.
I wish I could just make you turn around, turn around and see me cry
There's so much I need to say to you, so many reasons why
You're the only one who really knew me at all
So take a look at me now, 'cos there's just an empty space
And there's nothing left here to remind me, just the memory of your face
Take a look at me now, 'cos there's just an empty space
And you coming back to me is against all odds and that's what I've got to face
You don't wanna walk around and say, 'I'm somebody's niece, I'm somebody's cousin, I'm somebody's daughter. Who are you?' And I think that's always the challenge when you grow up in a well-known family, is ultimately, you have to face yourself in the mirror and say, 'Who are you? What have you done?'
I like the sound of that, crashing Monica's party," he glanced at Michael, then quickly away. "What about you? That break some kind of vampire rules or something?" "Blow me Shane." "Boys," Eve said primly. "Language. Minor at the table." "Well," Shane said, "I wasn't actually planning to do it." Claire rolled her eyes. "Not like it's the first time I've heard it. Or said it." "You shouldnt say it," Michael said, all seriousness. "No, I mean it. Girls should say 'eat me' not 'blow me'. Wouldn't recommend 'bite me' though. Not around here.
When you take something extremely broad, then it is not a work of expansion or work of compression. It's hard because you have to decide what to throw out.
I'm now unemployed. It's a weird feeling with no work, but at least there's still golf. Standup comedy is like my core, it's what I do. But I want to be a pro golfer. It's a love/hate relationship with golf. I can come away feeling so serene, and yet, it's the thing that I can let get to me to throw a club and say curses that don't even exist. I'm obsessed with something that won't let me master it. I don't know. I need therapy.
Once I turned pro, I was like,' OK, this is not fun and games now. This is me. I'm going to come, and I work on karma. I'm not going to go after somebody if I don't have a reason behind it, so as soon as there is some sort of a reason for me to do something that I need to do, then I'll do it.'
I had always had a little problem looking out for myself in love. I was afraid people would leave me. So I sort of clung and did everything possible to keep someone around. I didn't have a hard talk with myself about who I was keeping around. Doesn't take a rocket scientist to figure that out. I clung to people like human life preservers. I thought i'd die if someone left me. Its ironic because now I'm the one who's leaving.
The most important thing is that, when you work with somebody, you build a rapport with that person. They have a certain trust in you. You don't have to explain that much. It's very hard when you photograph someone who's a fresh face and then you don't work with them again for six months. All these people I work with over and over again have qualities that I love. There's something very free about them or there are some slight imperfections about them. I think the more you work with someone, the pictures get better and better.
When you speak directly at things and don't say you're going to try to do something or that you hope to do something, the universe will work with you. Think about it this way - a boomerang goes out and comes back to you if you throw it. If you throw it out at the universe, it will come back down to you on Earth.
When people asked me what I did, I'd say, 'I work in publishing', and when they then say, 'What side of it?', I say, 'Supply' - no doubt leaving them to think I drive the books around in a van and deliver them.
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