A Quote by Jennifer Lopez
Everything I wanted before, I want twice as much now. And that doesn't mean material things; it means to explore more, to think more. Being an artist doesn't start because you're 21, and it doesn't end because you're 51. You are who you are until the day you die.
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Being an artist doesn't start because you're 21, and it doesn't end because you're 51. You are who you are until the day you die.
I study everything that I do to become better all the time at my craft. The beauty for me about being an artist is that the dream will never die because I'm not obsessed with material things and don't care about the money and don't care about the attention of the public but only the love of my fans. For me it's about keeping the dream alive of how much more devoted, how much more honest, how much better of an artist can I become? That's the only fear that I ever have, that the dream will die.
Because of social media being such a marketable format, things are constantly being released, so people don't pay as much attention because they have a million things being thrown at them. You reach more people, but now there's more content. Before, it was harder to get the people but there was less content.
I believe that people want the scent of love, more than anything else. And I don't mean sentimentality, I don't mean mush. I mean that idea, that human beings are more alike than we are different. And that means that I can love you. I don't mean support you in bad things you do, that I can understand because you're a human being.
I've calmed down. Looking back, I was engaged more in dramas than I was in relationships. I've spent a lot of my life being in it for the plot, and I don't do that anymore. I'm satisfied. I'm not competing with myself. I accomplished things I wanted to do, so everything I do now is because I want to, not because I'm trying to prove something.
Being a director it's mean - digging deep in yourself as well. I think the deeper I understood the material and the script and the themes and the characters, I felt the more confident I was and the more I could bring to the movie. So I was lucky to have my actors because they were right there with me in the deep end.
I think that any sort of fantasy or sci fi that is grounded in something that could ostensibly be real - 'Jurassic Park' being my favorite example - is that much more prescient because it means that much more. Maybe one day, what if?
The main reason he wanted to be a recording artist was because it gives you much more freedom in your writing. You only have to please the artist and the artist is you so you can be more daring and experimental.
Just because something's legible doesn't means it communicates. More importantly, it doesn't mean it communicates the right thing. So, what is the message sent before somebody actually gets into the material? And I think that's sometimes an overlooked area.
I don't think you should want everything at work, because home life is so important, and much more nourishing for your soul. One day work will end.
I think one of the things that started to hinder Baldwin as an artist later on was that he became really aware of power, so he wanted it, too. But if you look at the work before that, before 'The Fire Next Time' put him on the cover of 'Time Magazine,' it was much more intimate and a much more internal conversation.
As a young filmmaker, I shot a lot of stuff because I wanted to make sure that I got everything, but now I've gotten much more precise with my shooting. Editing is a whole other layer because then, sometimes you realize characters don't even need to say this or that. It becomes an issue of exposition, and over-explaining something. In the script, I'd reinforce certain things about what I wanted people to know two or three times, but in the editing room, I'd be like, "I only need to say this once, maybe twice."
I think that, right now, I am travelling in many different directions in my mind, on where I wanted to be. So much is wantin' to go back, but I still gotta move forward. But I think it's just that I'm my worst critic at all times, you know? And when I make somethin', it may be five or ten cuts later before I actually call it what it is. I've always been that kind of artist. I'm gonna put myself through the sweat for it, because I think, as an artist, that's what made me iller, is the fact that I didn't wanna just put out anything and everything. It's just a process, you know what I mean?
I know it's good when I see a smaller film get recognized because it means more publicity for them. Any way to get the word out, I'm just learning about this. The end of this distribution sentence is the scariest part, which is when you start producing and directing. Now the movies are a little more like your children. You now spent years of your life and then it just dumps in one day and you think what happened? It doesn't always happen.
I always was one who didn't take things for granted. But I think I do appreciate things more now. The small moments of joy that we find each day are so much more precious now than when I looked at them before.
I value the Lord more than I value my career, because at the end of the day, when we die, we face him. We're going to wish that we did more on this earth for him. And so I want to make sure that I'm doing everything to glorify him.
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