A Quote by Jennifer Love Hewitt

Sometimes as actors and artists, we don't really get to be an effective and integral part of the promotional process, other than doing interviews. With Twitter and Facebook now, and all of this stuff, it really allows us to play and have fun, vis-à-vis the pictures that I send out on Twitter every day, or little videos, or whatever it is.
If you don't have a Facebook, like, you're nobody. There's all of these sort of requirements now, and if you don't have all of these things - Facebook, Twitter, etc. - you're made fun of. And Twitter for celebrities... everything is just getting so personal. Pictures of yourself, of what you're eating for breakfast.
... the thing that's happening today vis-á-vis computer imaging, vis-á-vis alteration, is that it no longer needs to be based on the real at all. I don't want to get into jargon - let's just say that photography to me no longer pertains to the rhetoric of realism; it pertains more perhaps to the rhetoric of the unreal rather than the real or of course the hyperreal.
It is clear to me that the racism was on the other foot, that really, society in Europe was much more racist - vis-à-vis Arabs at least and black Africans - than American society.
Nowadays, people have an open mind vis-a-vis new artists like Meghan Trainor, Nico & Vinz, Hozier - there are hits coming out of everywhere.
Wildly successful sites such as Flickr, Twitter and Facebook offer genuinely portable social experiences, on and off the desktop. You don't even have to go to Facebook or Twitter to experience Facebook and Twitter content or to share third-party web content with your Twitter and Facebook friends.
Twitter's been interesting. I'm kind of a tech geek, but I've never been a Facebook or Twitter guy. Surprisingly, I've really enjoyed Twitter because I get to connect with fans.
I'm on Twitter, Facebook. There's a lot you can do with it, and it's great to keep in touch. I try to throw a few things out on Twitter every day.
I just got on Twitter because there was some MTV film blog that quoted me on something really innocuous that I supposedly said on Twitter before I was even on Twitter. So then I had to get on Twitter to say: 'This is me. I'm on Twitter. If there's somebody else saying that they're me on Twitter, they're not.'
I write my own blog every day. I do the Twitter every day and the Facebook. Without a gap. I do everything myself: I load my own photographs; I sometimes take my own videos and post them.
Facebook and Twitter and these other social sites bring every, I mean, 140 characters. I mean, I'm on Twitter and I have fun. But I don't think anybody learns anything about me as a person.
There is a progression of understanding vis-à-vis pro football that varies drastically with the factor of distance --physical, emotional, intellectual and every other way. . . Which is exactly the way it should be . . .
America tends to worship the modest talent because it doesn't put us in an uncomfortable position vis-a-vis the artist.
I think festivals are way more easygoing than back-to-back tours are. 'Cause for me, when you get to go to a festival, you get to hang out all day, and you're really taken care of, and there's usually a little artist village where all the artists have their own tents, and it's catered, and then you go and play an hour-long set depending on where you are on the lineup. And then you go back and you hang out and you even get to go watch other artists play. So it's really just a fun interactive experience for everybody.
For me, even with my Twitter and Facebook, I'm not on it all the time. I don't Twitter every day.
Every director, actor, and even producer gets angry on the sets. Why am I the only one being singled out for losing my cool or being talked about vis-a-vis my anger?
It's plain that the American right wing, the Republicans and some sections of the Democratic Party, don't really care about international norms. They believe in the executive authority of the president. They don't even believe the United Nations or international law should play any role vis-à-vis American policymaking.
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