A Quote by Jennifer McMahon

I studied poetry in college and for a year in an MFA program. As time went on, my poems got more and more complicated. What I was really trying to do was tell stories. — © Jennifer McMahon
I studied poetry in college and for a year in an MFA program. As time went on, my poems got more and more complicated. What I was really trying to do was tell stories.
I graduated with a B.A. from Goddard College in 1991 and then studied poetry for a year in the M.F.A. in Writing Program at Vermont College.
I studied as an actor at the theatre conservatoire in Quebec, but by the time I got to my third year, I was more interested in directing. There's more to it than helping actors get round a stage: it's a wonderful way of telling stories.
I'm a great believer in poetry out of the classroom, in public places, on subways, trains, on cocktail napkins. I'd rather have my poems on the subway than around the seminar table at an MFA program.
I did go to an MFA program, at Bowling Green State University in Ohio. For me, it worked perfectly. It was a small program. They only take five fiction writers a year, and they fund all of us - you don't go into debt to get an MFA. It's not like getting an MBA - you're not going to buy yourself out.
The maiden Olympics had more to protest about than mere war, though. Central to its ethos was a rejection of two establishments the political one, certainly, but also that of the wider poetry world itself. It changed poetry for ever in the UK, ... It led to readings all over the country. You suddenly got more women reading and publishing poems, as well as gay guys and poets from all over the world. Until that time, published poetry had been very university-based white, male, middle-class. We were trying to break poetry out of its academic confines.
I used to write my own versions of famous tales, such as William Tell or Robin Hood, and illustrate them myself, too. When I entered my teens, I got more into horror and science fiction and wrote a lot of short stories. A literary education complicated things and for many years I wrote nothing but poetry. Then I got back to story-telling.
When I got to college, my sister was starting work, and she realized she had two weeks of vacation a year, so she called me and said, 'Go abroad.' So right after my freshman year, I went and I studied in Guatemala, and I studied in Kenya, and I studied in Italy, and it was incredible.
When I was about twenty-one, I published a few poems. Maybe I wrote a couple of stories before, but I really began to write stories in my mid-thirties. My kids were still little, and they were in school and day care, and I had begun to think a lot about wanting to tell some stories and not being able to do it in poetry.
I got brilliant stories from people who'd never set foot in an MFA program and had published very little, and terrible stories from people who'd published a lot and had all the credentials. It was all over the map and that was part of the fun.
We tell stories. We tell stories to pass the time, to leave the world for a while, or go more deeply into it. We tell stories to heal the pain of living.
When you're going to school primarily for career purposes, it's more important to focus on which program is best for you. In addition, your success at college depends far more on what you do at the college than at which college you do it: Choosing the right program, then the right advisor, the right courses, the right term papers, the right co-curricular activities, the right fieldwork, the right internships. You can make those choices at any college.
I've changed over my writing life. If I can generalize, I would say that the more recent poems - believe it or not - are more pointedly political; although, if the earlier poems were more existential, they were still political; though, in their own way, had a complicated presence.
When I got to high school and college, I was more involved in athletics then I was in acting. At that time, I was trying to figure out what my identity was and roles became more gendered, it was a little bit more challenging for me to stay with the acting.
You've got a league with a couple thousand players or so depending on the time of year. Then you have 10 or more very high profile stories that are terrible stories and things that have happened.
Much better than it has been all week. I got sick again this week, so I wasn't really able to breathe. I was on antibiotics (until Wednesday). This program was so great coming here. I felt more confident than I ever have all season, more calm, more relaxed, bending the knees. So even that program with the one mistake ... you can't be perfect all the time, but for me that was a great skate for me and I'm happy with how it went.
I first studied to be a preacher, but decided that I was too prone to tell big stories. Then I studied Blackstone for a while and soon learned that I was not adept enough at prevarication to make a successful lawyer. I then made up my mind that I would seek some field where I could tell big stories and tell the truth.
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