A Quote by Jennifer Morrison
For me, in general, it's always about the material. Obviously, it's about the material and hoping that someone wants to hire me for a job, too, but I've certainly seen films like 'Orphan' and movies like that where I know that if I had had the opportunity to read that script or had an opportunity to do it, I would have wanted to do it.
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I feel very grateful. I wasn't raised with money. My parents were schoolteachers; I was raised on a small farm. It never dawned on me that I would have a job that someone would pay me to do. Much less a job like this. It would be ridiculous if I had any complaints about it. And look - I've had the opportunity to learn an entirely new set of skills, and I'm bringing them to the work I'm doing now in filmmaking.
[on River Phoenix] I would love to see what kind of choices he would be making now if he was still around, some of the characters that he would have played. I mean, to me he was like a rock star, you know, he had it all: he had the looks, he had a great name, he had an attitude, an energy, an excitement about him. He was instinctively like a, he was a rebel, you know? He was kind of Bob Dylan to me, at times, and he had a lot to say. And I've never seen too many interviews by him, but the ones that I saw were pretty electric, pretty... he was switched on, definitely.
I was in Antwerp - which, I had about 20 shows left at that point - and a guy said, "That's Dave Attell's." Also, Antwerp was my smallest audience, so the guy was right there. I was like, "What?" He said, "Dave Attell does a bit about, 'Why are there luggage stores in the airport?'" I had never seen that, and I would never ever, ever, ever - please believe me - I would never lift material from somebody ever, and certainly not knowingly.
For me it came from the material. It was so well written and brought the opportunity to work with great actors. And of course the opportunity to mince about was an added element that I wanted to take advantage of!
For me it came from the material. It was so well written and brought the opportunity to work with great actors. And of course the opportunity to 'mince about' was an added element that I wanted to take advantage of!
One of the things I've been talking about with my critical writing and my own work is that these movies are seen differently in a theatrical space. It's very important to me. I edit films to be seen theatrically, like fiction material I've worked on like Listen Up Phillip or other documentaries.
If I were doing somebody else's script or I adapted a book by Philip Roth, on set there could be a million different interpretations of the material and people could argue with me. Certainly on Synecdoche, New York we had discussions and arguments, but I felt like I had authority because I'm a writer.
About 1911 I had the idea of making for my son, who had just been born, a blanket composed of bits of fabric like those I had seen in the houses of Russian peasants. When it was finished, the arrangement of the pieces of material seemed to me to evoke cubist conceptions and we then tried to apply the same process to other objects and paintings.
I would hope that people would feel that they achieved a greater opportunity in life living here in California than they had prior to when we came in. That they had a better opportunity of getting better education.That they had a better opportunity of getting a job once they had an education or training. And that overall, that their quality of life had improved.
What I’m sorry about is not being a tipsy idiot when you found me. I’m sorry about that, obviously, but more sorry that my stupidity caused us to lose a great opportunity. I don’t imagine you would have met me and fallen crazy in love with me, but I would like to think that if you’d had a chance to meet me under different circumstances, something just as nice could have happened. We could have become friends.
Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
I'd never studied film. I had movies that I loved and movie stars that I looked up to, but I really had not seen a lot of the great classic films that he felt like he wanted me to see before I took on such a huge role.
Part of why I wanted to produce was because I wanted the opportunity to work on projects I want to see. As a writer and as a director, I'm very specific about the kinds of things that I want to do. The opportunity that producing has given me is that by working with different writers and trying to get their movies made, or developing their script, or making their movies, every time I'm doing it, I'm learning and then bringing something to my own work. I like to think that there's a little bit of back and forth that goes on.
I'm not someone who has a list of great books I would read if I only had the time. If I want to read a particular so-called classic, I go ahead and read it. If I had more time, I would certainly read more, but I'd read the way I always do - that is, I'd read whatever happened to interest me, not necessarily classics.
Once upon a time I would’ve leaped at the rare opportunity of curling up with Mom on the couch. But now it sort of felt like too little too late. I had someone else waiting for me.
I wondered where the person was who had taken my place, who wanted to know what news people had been told. I'm always looking for the person who replaces me, who thinks the things I do, who fills in for me when I'm not there. I know there is someone younger than me doing what I did and someone older doing what I will do, and someone my age being just like me.
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