A Quote by Jennifer Niven
Right before my eyes, I could see my life going away from me and there was nothing I could do.
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I'm a first-time father, and it was amazing to me to learn that my son could actually use sign language before the spoken word. I could see this intelligence in his eyes before he could speak: how he could understand what was going on around him and was frustrated by that.
There's nothing you could do to me, nothing you could take away from me that would make me feel like I wasn't going to be all right.
I don't see perfection as far as a visual image of perfection. "Perfection" to me is, I walk away from a situation and say, "I did everything I could do right there. There was nothing more that I could do." Like, I worked as hard as I possibly could have. That's perfection.
'Perfection' to me is, I walk away from a situation and say, 'I did everything I could do right there. There was nothing more that I could do.' I was a hundred percent, like the meter was at the top. There was nothing else I could have done. You know? Like, I worked as hard as I possibly could have. That's perfection.
He shrugged, looking right into my eyes. "Right now, this is all I feel." He held our intertwined hands up for me to see and I wanted to look away, but I couldn't break the hold his gaze had on me, like he could see more than anyone else saw. Things I couldn't see myself.
When we first sat down and talked about how much of the show we were going to do based on the movie, there are certainly things you can see right away, but we wanted to make sure that the audience who maybe never saw the movie or has maybe never seen any of the Marvel characters before - and I know there's three of them left on the planet - could have someone that could be their eyes and take them in.
Once digital came, I could see my images instantly right there on the camera. I think that makes you a better photographer because you can see right there if your subject's eyes are closed or if you exposed it wrong and if it's too bright or dark. You can fix it right here. With film, you wouldn't know until you got the prints back if something was messed up, and then there was nothing you could do. That was a huge advantage.
Each memory was brought to life before me and within me. I could not avoid them. Neither could I rationalize, explain away. I could only re-experience with total cognizance, unprotected by pretense. Self delusion was impossible, truth exposed in this blinding light. Nothing as I thought it had been. Nothing as I hoped it had been. Only as it had been.
Soul Alone by Hannah Baker I meet your eyes you don't even see me You hardly respond when I whisper hello Could be my soul mate two kindred spirits Maybe we're not I guess we'll never know My own mother you carried me in you Now you see nothing but what I wear People ask you how I'm doing You smile and nod don't let it end there Put me underneath God's sky and know me don't just see me with your eyes Take away this mask of flesh and bone and See me for my soul alone
The best ideas aren't hidden in shadowy recesses. They're right in front of us, hidden in plain sight. Innovation seldom depends on discovering obscure or subtle elements but in seeing the obvious with fresh eyes. This is easier said than done because nothing is as hard to see as what's right before our eyes. We overlook what we take for granted. Billions of tea drinkers observed the force of steam escaping from water boiling in a kettle before James Watt realized that this vapor could be converted into energy.
And in truth (as I now see) I had the wish to put off my journey as long as I could. Not for any peril or labour it might cost; but because I could see nothing in the whole world for me to do once it was accomplished. AS long as this act lay before me, there was, as it were, some barrier between me and the dead desert which the rest of my life must be.
I could not see myself going back into the studio without Tommy Dowd, our beloved producer who passed away in 2002. Then in 2009, Michael Lehman, my manager, really pushed me to meet with T Bone Burnett. I ended up meeting with T Bone in Memphis, and we hit it off right away; I knew he was a guy I could work with.
We looked at each other, and I could see in those big reddened eyes that he was not going to scream. He was full of anger - and who could blame him? - but he was no fool. He needed me, and he wanted me here, if only to insult me.
Like how could you do nothing,
and say, 'I'm doing my best.'
How could you take almost everything,
and then come back for the rest?
How could you beg me to stay,
reach out your hands and plead,
and then pack up your eyes and run away
as soon as I agreed?
I could see jealousy coming up, I could see anger, I could see frustration. I could see people's agendas. I could see my kids going wild - because we never had any money, and suddenly, we had money.
His gaze burned into mine, like he could see past my eyes into parts of me no one had ever seen, and I knew I was seeing the same in him. No one else had ever seen him so vulnerable before, like if I pushed him away, he might crumble into pieces that could never be put together again. Yet there was strength, too. He was strong beneath that fragile need, and I knew that I could never fall with him next to me. If I tripped, he would catch me. If I lost my balance, he would find it.
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