A Quote by Jennifer Pharr Davis
One thing I think I've always felt about being in nature is that it's a very natural taste.
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The kind of people who always go on about whether a thing is in good taste invariably have very bad taste.
I'm possibly a very morbid person but I think about death a lot. I don't know if it's maybe from being on films that's often playing Harry [Potter] or I just think it's a natural thing that I have. It's something that I think about just because it's fascinating in a very alien kind of way.
I am against nature. I don't dig nature at all. I think nature is very unnatural. I think the truly natural things are dreams, which nature can't touch with decay.
I'd be very suspicious of anybody that seems to have to move to the next level of expression. I distrust that: now I'm writing a book, now I'm being an actor. It should be a natural thing. I think it's a natural thing for you to act. But I think that people that feel that, because they've written one maybe quite beautiful love song that equips them to play Romeo, is probably misguided.
I think I have femininity, I have masculinity, but I get to use all of Jeffrey, and that's very powerful. And this is what I always thought when I went down in my little basement in San Francisco, where I grew up, and daydreamed about being an actor: It felt like this. This is what it felt like.
You think you're in a place where you're all 'I'm thrilled to be gay, I have no issues about being gay anymore, I don't feel shame about being gay,' but you actually do. You're just not fully aware of it. I think I still felt scared about people knowing. I felt awkward around gay people; I felt guilty for not being myself.
The wonderful thing about being an artist in L.A. is that there is no taste. There's anarchy of taste, which seems good to me.
To me, being creative is a very fragile thing. The environment in which one can create is a very particular one, and somehow, I've always felt the need to be very protective of that.
I wanted to write a play about double nature ... one that wouldn't be symbolic or metaphorical or any of that stuff. I just wanted to give a taste of what it feels like to be two-sided. It's a real thing, double nature. I think we're split in a much more devastating way than psychology can ever reveal. It's not so cute. Not some little thing we can get over. It's something we've got to live with
I always had a really natural faith as a kid. Where I knew God existed and it felt very free and pretty wild and natural, and it wasn't religious.
When I draw it feels very natural - intuitive. I don't think about it, I just do it. My visual vocabulary is self-selecting and second nature to me. Writing is harder for me. It's something I struggle with. Drawing always comes first.
I always felt sorry for the sidekick as a kid. They never got their due and it left a very bad taste in the mouth - they are defined by a subordinate relationship to someone else. I always felt like a bit of sidekick when I was a kid and it didn't feel fair.
Some people are very good at being themselves and being very natural on screen or being very sexy or handsome or whatever. I like that, and I aspire towards that, but I don't know if I always make it. I work very hard.
Environmentali sm is really about seeing our place in world in a way that humans have always known up until very recently - that we are part of nature-utterly dependent on the natural world for our well being and survival.
The documentary style is an incredibly flexible and useful one. It's a wonderful tool for establishing the credibility of the version of things that's in the photograph - a kind of rhetorical device or rhetorical strategy. It's always felt very natural to me, because I want a person to end up thinking about the world, and to think about it in a way that is transformed by the experience of art.
Italian style is a natural attitude. It is about a life of good taste. It doesn't have to be expensive. Simple but with good taste. Luxury is possible to buy. Good taste is not.
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