A Quote by Jennifer Salt
Beijing is a place where you can go and try on all kinds of hats. It's also a place where you can hide really easily.
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For me it's really tough because you have to go to that place where you really, really don't want to go to or revisit. After the first movie, when I was crying at the altar, whenever I would think about it, I would get chills for months after the first "Best Man" because I had to go to that place. And then, here we are with this one, and we are going to that place again. It's just extremely emotional to just have to keep revisiting it, but it can also be therapeutic.
I'm like a gypsy. I've got a place in Beijing, a place in New York, a place in west Africa; I'm working on a place in Colombia. I like the fact that painting is portable - and I've wanted my entire life to be able to see the world, to respond to it, and make that my life's work.
You sort of have that meditation, that happy place I go to in my brain. The happy place may be an island or something where I'm on the beach. Something like that where I can sort of at least try to escape and try to just release my mind into that place that I want to be in, into my relaxing place.
I feel like I've finally got to this place that I really want to be. The place where, in my fantasy, the characters just get up and walk around - this interstitial place between humans and dolls. But I also feel like, where am I supposed to go from here? Because this feels like the place I've always wanted to be, for my whole life of shooting.
I found that quiet place in my home that is my place of refuge. I don't care if you got kids or if you are married. You got to find that one place that is your everybody-off-limit place: unless this place is on fire, or you need to go to the emergency room, don't disturb me. You can go to this place and cleanse, meditate, let God speak to you.
You have to decide where the line is in such a complicated place like Saudi Arabia. I was so confused by the place - there's no simple story. It's a place that is really sensitive to how it is judged, particularly by people from the West. So in the end I thought: I'm just going to take the reader on my journey to try and understand this odd place.
We both [with Jo Andres] think that it is really important to our culture that we support all kinds of music, all kinds of theatre and all kinds of art because you never know what moves people. We've always believed that there should be a strong voice outside the commercial world. Certainly, the commercial world has a huge place in our culture and we also support that - but, we also want to support the stuff that lives outside of that.
No place is safe - no place is at peace. There is no place where a women and her daughter can hide and be at peace. The war comes through the air, bombs drop in the night. Quiet people go out in the morning, and see air-fleets passing overhead - dripping death - dripping death!
After a hard day scrambling to find your way around in the world, it's assuring to come home to a place you know. God can be equally familiar to you. With time you can learn where to go for nourishment, where to hide for protection , where to turn for guidance. Just as your earthly house is a place of refuge, so God's house is a place of peace.
I wanted to go to a place where I could think, really sink into my own imagination, or ride it, or drift along it, as in a balloon. The kind of place that probably all writers crave. The kind of place where the outside world is still and quiet and you get a chance to listen, to peer, to go inward
It's not an easy place to be - to write a horror film. You go down the stairs to the dark to find these characters. It's not a place anyone can go, and sometimes it's not a place that you want to go.
People have responded to the pictures I make as mystical things, and they somehow carry the illusion further thinking that the place is this mystical, magical place. The desert is also a very barren place, a very lonely place, a very boring, uneventful place.
I would say that it is important to have it in your mind, what your attention is and what you want to do. Really just go for it, and fall and go for it again, and learn and continue to go for it. First, it starts as an abstract idea and you have this dream and desire. It will take you to one place, and in that time you act in a certain way and you do what you have to do in that one place to get you to the next place. It is constantly building into this idea that you have.
There's a vulnerability in music but you've also got to protect your sacred place and have a place you can still retire to that no one else knows about. So that's a thing I just try to balance.
We see the sea as this place of leisure and this place, you know, a blue patch on the map to fly over because we all go by plane these days, mostly. And we don't really see it as a place of industry anymore.
Poetry had in the hands of various people become a place for inconvenient knowledge insofar as it was a place for knowledge at all. But it was a place where you could talk about other kinds of experience than the official version.
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