A Quote by Jennifer Saunders
I love the TV show, and if you make a bad movie it means you've soiled it. Just like if we made an advert. We were offered so many times and I'd say, look, this is the good thing, and you can't compromise that, because then you compromise the integrity of the characters.
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You can compromise between good, better, and best, and you can compromise between bad and worse and terrible. But you can't compromise between good and evil. And now people look at the other side as a completely different kind of animal and say, 'They are taking the country down the road to purgatory.' It's complete intolerance.
You can compromise between good, better, and best, and you can compromise between bad and worse and terrible. But you can’t compromise between good and evil. And now people look at the other side as a completely different kind of animal and say, “They are taking the country down the road to purgatory.” It’s complete intolerance.
Let me make it very clear: when I say compromise I do not mean capitulation. When I say compromise I definitely do not mean what Jesus Christ meant when he offered us to turn our other cheek to our enemies. Compromise means, try to meet the other somewhere half-way. And, this can only happen if the other is willing to go half-way in order to meet you. That is the very strict line between compromise and capitulation. I'm a great believer in compromises. I do not believe in capitulation.
When I say compromise I do not mean capitulation. When I say compromise I definitely do not mean what Jesus Christ meant when he offered us to turn our other cheek to our enemies. Compromise means, try to meet the other somewhere half-way. And, this can only happen if the other is willing to go half-way in order to meet you. That is the very strict line between compromise and capitulation.
If you do it first class and you don't compromise values, and you don't compromise quality, and you don't compromise service, and you don't compromise cleanliness, then everybody else who is the competitor has got to play catch-up.
Sometimes compromise is important. Sometimes it's better to give in to someone else's wishes in order to have fun as a group or as a couple, or for the benefit of the team. Sometimes compromise is dangerous. We need to guard against compromising our standards to gain the approval or love of someone else. Decide when you can, and when you cannot, compromise. If it's not harmful and you are ambivalent about a decision, then compromise. If it could lead to breaking your values, compromise isn't a good idea.
Try to find your individuality, your integrity, and make the effort of not compromising. Because the more you compromise, the less you are an individual. You are only a cog in the wheel, just a part in the vast mechanism, just a small part of the mob - not an individual in your own beauty, in your own right. I am absolutely against compromise. Death is far more beautiful than a life of compromise.
The best advice I could give is be yourself. Before I was on the American Idol show I made goals for myself. I said, "Who do I want to be, and what will I compromise, or won't I compromise?" And then, I stuck with that.
One thing that everybody told me about directing was, 'Never compromise'. And the whole job is a compromise. So it's very paradoxical. How do you not compromise when the whole thing is about compromise?
Compromise" is so often used in a bad sense that it is difficult to remember that properly it merely describes the process of reaching an agreement. Naturally there are certain subjects on which no man can compromise. For instance, there must be no compromise under any circumstances with official corruption, and of course no man should hesitate to say as much.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
Some TV shows are like really good novels in that there are enough episodes that you start to have your own feelings about how the characters should act. When the scriptwriters go slightly wrong, when they make the character make a left turn that he or she wouldn't do, you know enough about the characters to say, "No, that's not what she would do there. That's wrong." You can actually argue with a TV show in a way that you can't do as much with movie - you inhabit a TV show in the way you inhabit a novel.
The opposite of compromise is not integrity. The opposite of compromise is not idealism. The opposite of compromise is fanaticism and death. And yes, I know one or two things about fanaticism and death, and I reject them. The alternative to fanaticism and to death is not some miraculous realization that someone has been wrong and he has to apologize. No, the answer to fanaticism and to death is curiosity and compromise and concession.
No relationship would be successful without a little compromise. If you can't learn to do that then I'm sorry to say your relationship will never survive. Love is about giving and taking, it's not just about smiles and kind words. Compromise is key.
Compromise is usually bad. It should be a last resort. If two departments or divisions have a problem they can't solve and it comes up to you, listen to both sides and then pick one or the other. This places solid accountability on the winner to make it work. Condition your people to avoid compromise.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, which I hope this one does, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
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