A Quote by Jennifer Saunders
We had this party in New York, and there were a lot of gay men there dressed up as the characters. I showed up just looking like myself, but it was a real case of shame. They looked so fantastic. We could never quite live up to it.
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I did not move to New York with a plan. The first time I moved to New York, I just popped up. My sister was living here in New York. I just popped up. She had her baby and a husband, and I just popped up. 'Hey, what's up? I got $200 and dreams. Let's do this.'
When I had to have a little seizure, I looked up videos of people having seizures. I remember looking up symptoms and what happens to your body. You kind of just lock up and I had to prepare for that. A lot.
I love the romance of the '40s. It was the perfect time to live. Technology wasn't so advanced that it made life more difficult, but it was just enough that you can send a phone call or a telegram. And people still took pride in how they looked. The men got dressed up and the women got dressed up and they took care of themselves.
In my mind, New York was the place where they had the underground rap shows and I could get in on some ciphers and just rap. This whole fantasy world I had created in my head about New York just from listening to the music my whole life, like, I'ma go up there and do that. But when I came up here, there was none of that, that scene was dead.
And don't get hurt,' [Dexter] added. 'There's no one to help you up there. And don't go stirring up a lot of trouble for us. This case isn't ripe yet. Until it is, our policy with Mr Big is 'live and let live'.' Bond looked quizzically at Captain Dexter In my job,' he said, 'when I come up against a man like this one, I have another motto. It's 'live and let die'.
...the men of the Ulysses had no need to stand in shame...many had found, or were finding, that the point of no return was not necessarily the edge of the precipice: it could be the bottom of the valley, the beginning of the long climb up the far slope, and when a man had once begun that climb he never looked back to that other side.
I grew up in a conservative New England town and showed up to my middle school orientation dressed like 'Clueless' while everyone else was wearing J. Crew and lacrosse uniforms. I never really fit into that preppy look.
For the most part, it was never assumed that I was gay, and I've had people be sort of surprised that I was gay or act apologetic like they didn't know, which would just make me really uncomfortable. And I never had shame for it, but I never felt like introducing myself as, 'I'm Antoni. I'm gay. How are you?'
I just wanted to be who I was, which was like so many other girls I knew. We grew up in the city, had a hard edge and obstacles to overcome, but we were still young and beautiful. I didn't want to be all dressed up, all made up - I wanted to be myself, which hadn't been done before.
I grew up on the crime stuff. Spillane, Chandler, Jim Thompson, and noir movies like Fuller, Orson Welles, Fritz Lang. When I first showed up in New York to write comics back in the late 1970s, I came with a bunch of crime stories but everybody just wanted men in tights.
I feel like because I've done more gay characters, gay scenes, or gay projects than most straight actors, people see it as some sort of mission. It's more of a case-by-case basis, and just trying to capture figures that I love. I guess that a lot of the figures that I love were gay.
A radio play actually ended up being the first acting job I ever had. A lot of times when I'm on camera, I'm playing characters that are more like myself, and I don't get to do a lot of real character work. But when you're doing animation, you are the very epitome of colorful characters. I think I'm just really into make believe.
I just, I was in such denial within myself for the longest time, just because of the place I grew up in. Like, it wasn't common. I didn't know anybody that was gay. I think I had one gay friend in high school and she never even, like, came out. It was just, like, we all just knew.
A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.
I always try and stay one step ahead of people, not looking like I looked like last week, so I can be as anonymous as possible and part of it is just for me. It is fun to just come up with new and bizarre colors for each area of your body and things like that, but there are some parts of it that I just keep wanting to negate myself. I hate waking up in the morning and recognizing the woman in the bathroom mirror.
Looking up in the sky, I saw the stars were brighter now. They made a pattern I had never noticed before- a gleaming constellation that looked a lot like a girls figure- a girl with a bow, running across the sky. "Let the world honor you, my Huntress. Live forever in the stars.
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