A Quote by Jennifer Tilly

I had a problem with cops pulling me over all the time for speeding. When I was doing Hill Street Blues, the cops said how much they loved the show as they were writing me up; meanwhile my insurance went through the roof.
I had proposed to HBO a series about the city cops in Rome at the time of Nero. What had interested me was the idea of order without law. The Praetorian Guard, who were the emperor's guards, understood how they were to proceed. But for the city cops, who were called the Urban Cohorts, there was no law at all.
When you grow up in a city like Boston, where I grew up, a lot of kids became criminals or cops. I never really had a bad take on cops other than I hate when there's one behind me on the highway.
Cops pull me over just to get a better look. They never give me a ticket, even if I'm speeding, but they will ask to take pictures.
Most people have no idea what cops really do. They think cops give you a speeding ticket. They don't see the cops associating with professional criminals and making money in the process. They believe that when a guy puts on a uniform, he or she becomes virtuous. But people who go into law enforcement do so for the trill of wielding power over other people, and in this sense, they relate more to the crooks they associate with than the citizens they're supposed to protect and serve. They're looking to bully someone and they're corrupt. That's law enforcement.
I have no hatred for cops. I have hatred for racists and brutal people, but not necessarily the cops. The cops are just doing what they're told to do.
The secret to writing is just to write. Write every day. Never stop writing. Write on every surface you see; write on people on the street. When the cops come to arrest you, write on the cops. Write on the police car. Write on the judge. I'm in jail forever now, and the prison cell walls are completely covered with my writing, and I keep writing on the writing I wrote. That's my method.
When you're writing about cops from the perspective of cops, that level of sarcasm about their job and how they treat people will color the writing to a certain extent.
For the most part, cops are decent and honorable, but that's how I know that there are bad cops, cops that you think you know so well.
Nobody wants bad cops off the street more than good cops.
It seemed to me... that the only valid people to deal with crime were cops, and I would like to make the lead character, rather than a single person, a squad of cops.
My mom sent me money for a car, but the cops impounded it because I had no insurance.
Everything in high school was reversed. If marijuana was supposed to make you mellow, I would be like, "The cops, the cops, the cops..." I was what you call the buzz kill.
Why aren't there enough black cops out there? We need black cops to come in and educate some of the white cops who have issues.
There's a bigger percentage of good cops than bad cops. But the bad cops should be penalised like regular people.
Scott and I had just worked with Jimmy Pardo doing a live show over the summer. And it was a lot of fun and we wanted to keep doing a live show. And as Scott said, we knew a lot of funny young people who needed a place to do stand-up. And we were in a place, where we were writing so much that we weren't around live comedy so much, so we kind of missed it.
When I haven't been kissed in a long time, I create civil disturbances, then insult the cops who show up, till one of them grabs me by the collar and hurls me up against the squad car, so I can remember, at least for a moment, what it's like to be touched.
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