A Quote by Jennifer Weiner
They say - "they" being the great philosophers, or possibly the cast of Seinfeld - that breaking up is like pushing over a Coke machine. You can't just do it, you have to set the thing in motion, rock it back and forth a few times.
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The truly great actors, like Charlize Theron, are just like, "I'm an actor. For hire. I show up, I do my job." There's no "I'm just waiting for the inspiration." They just do their jobs. They say, "Let's go over the scene a few times and get it."
I look at Seinfeld - he looks like he's having fun. He's just enjoying being Jerry Seinfeld, you know, on 'Seinfeld.'
I've been cast in a lot of comedies. I've done things like multi-cam sitcoms: you know, 'Seinfeld' type... not as good as 'Seinfeld,' but that kind of thing. I love that stuff.
The one thing that I love about the live audience is the energy level. Like, from the minute of cast introductions, it's just constant energy being traded back and forth. When you do something funny, the audience laughs; when you're being serious, you can, like, feel the tension going through the audience.
A lot of times we set ourselves up to fail. It's interesting. A lot of times the resolutions we choose are the ones, like you said in the opening, we keep breaking over and over again. Sometimes it reflects parts of ourselves that we really need to accept instead of trying to change.
There are so many flavors of Coke now - Coke with lemon, Coke with vanilla, Coke with lime, Cherry Coke, and they've just brought out another new flavor - Coke with Pepsi.
An automobile goes nowhere efficiently unless it has a quick, hot spark to ignite things, to set the cogs of the machine in motion. So I try to make every player on my team feel he's the spark keeping our machine in motion.
it occurred to me what a simple thing reality is, how easy it is to make it work. It's just reality. Just housework. Just a home. Like running a simple machine. Once you learn to run it, it's just a matter of repetition. You push this button and pull that lever. You adjust a gauge, put on the lid, set the timer. The same thing, over and over.
In this world, there are two times. There is mechanical time and there is body time. The first is as rigid and metallic as a massive pendulum of iron that swings back and forth, back and forth, back and forth. The second squirms and wriggles like a bluefish in a bay. The first is unyielding, predetermined. The second makes up its mind as it goes along.
When you're up there acoustically you're thinking, How could I possibly go back to rock?' Then when I'm playing rock I think, How can I ever go back to being unplugged?' That's what makes it fun all of the time.
I like cars. I like travel. I like the idea of people breaking down and I'm the only one who can help them get on the road again. It would be like being a magician. Just open up the hood and cast your magic spell.
I can watch an episode of Jerry Seinfeld, and by the end, I'm just walking around my house, you know, talking like Jerry Seinfeld. 'What is that? What are you doing? Who is it? What's going' - you know, I just had that thing, when I grew up, I'd just start talking like people. You know, I always had that.
I was walking around with the babies so much that when I got to the Sidney Lumet picture, I would be on set in between takes and I'd be rocking back and forth. Just standing like this rocking back and forth, and Sidney would say, Why are you walking like that in between takes?
Things that make me laugh range from a wonderful stand-up like Jerry Seinfeld, Louis C.K. and Chris Rock to my son Gabe, who does great improv work. I also look backwards to the great comedic actors like Jackie Gleason, Paul Lynde and Phil Silvers.
CS: I always say there's a tribal element in a rock concert. There's a real back-and-forth thing that goes on between the audience and the performers.
I get along very well with the cast of '30 Rock.' I guess I bring a certain quirkiness to the show as well. I'm just thankful they keep asking me. I didn't think I was going to be asked back so every time they say, 'We want you back,' I'm screaming. I'm jumping up and down and screaming.
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