A Quote by Jennifer Weiner

I don't think any writer chooses what his or her work is called. — © Jennifer Weiner
I don't think any writer chooses what his or her work is called.
Love your material. Nothing frightens the inner critic more than the writer who loves her work. The writer who is enamored of her material forgets all about censoring herself. She doesn't stop to wonder if her book is any good, or who will publish it, or what people will think. She writes in a trance, losing track of time, hearing only her characters in her head.
A writer can't subtract or excise any of his/her past because doing so would erase the work produced during that time.
The playwright, along with any writer, composer, painter in this society, has got to have a terribly private view of his own value, of his own work. He's got to listen to his own voice primarily. He's got to watch out for fads, for what might be called the critical aesthetics.
My sister called her pillow a pilgo. My brother called his pacifier his nimma. But I don't think I was much of a word generator myself.
The lad who dreams of being a boxing champion or an admiral chooses reality. If the writer chooses the imaginary, he confuses the two.
My father was the editor of an agricultural magazine called 'The Southern Planter.' He didn't think of himself as a writer. He was a scientist, an agronomist, but I thought of him as a writer because I'd seen him working at his desk. I just assumed that I was going to do that, that I was going to be a writer.
If a girl is in love with a poor guy and chooses him, then that is worst for her. If she chooses a rich man, it will be to her advantage. Everything will be fine.
Madonna is a pro. I don't like her and have no respect for her but- I don't think she should be called a musician or a dancer or whatever you know, but I do have, well I do have respect for her ability to completely manipulate the media and have them work for her.
I was born Chinese, and I write in Chinese. I don't think there's any need to evade this... to a writer, as to a person, what matters is not his political label or his nationality, but whether he is a person and whether his work is worth looking at.
Nowadays he doesn't think of his wife, though he knows he can turn around and evoke every move of her, describe any aspect of her, the weigh of her wrist on his heart during the night.
Some say that I was once uncommonly beautiful, but I wouldn't wish beauty on any woman who has not her own freedom, and who chooses not the hands that claim her.
You just play what a writer writes, in terms of what a character chooses to do and how a character chooses to deal with their various relationships.
The writer's genetic inheritance and her or his experiences shape the writer into a unique individual, and it is this uniqueness that is the writer's only stuff for sale.
Her work, I really think her work is finding what her real work is and doing it, her work, her own work, her being human, her being in the world.
The new female is competent in all that she chooses. She chooses whatever her heart tells her. She can create a business, lead a country, drive a truck, hammer nails, deliver mail, or raise a family. She is at home in every social and physical environment. She can be a housewife, if she chooses. She can be anything else, too. She is intuitive and heart centered. She is all that a female has been, and more.
If man chooses oblivion, he can go right on leaving his fate to his political leaders. If he chooses Utopia, he must initiate an enormous education program - immediately, if not sooner.
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