So here I am. Twenty-eight years old, with thirty looming on the horizon. Drunk. Fat. Alone. Unloved. And, worst of all, a cliche, Ally McBeal and Bridget Jones put together, which was probably about how much I weighed.
When 'Ally McBeal' started, I went, 'Oh, my God.' It's like what I was doing. 'Bridget Jones' was in the same vein. I identify with all of them.
More than two years after Mad About the Boy was published, the [Bridget Jones's Baby: The Diaries ] movie started coming together. I felt better about the material, and found myself writing a letter from Bridget to her son: explaining the original story of how he came to be, from his own Mum.
Everybody said, 'You hit it so big when you were on 'Ally McBeal.' ' I didn't do anything for a year after 'Ally McBeal,' and I had to write David Kelley to get myself back on 'Ally' a second time because I thought the character should be on again.
Everybody said, You hit it so big when you were on Ally McBeal. I didnt do anything for a year after Ally McBeal, and I had to write David Kelley to get myself back on Ally a second time because I thought the character should be on again.
That's when the idea for Mad About the Boy arrived. It wasn't even a Bridget [Jones] story initially - then I realized I was writing in Bridget's voice and it grew from there into a Bridget novel.
It took me about eight years to put together the program that I have been living for twenty years.
So now, thirty years, forty years later, I mean, I could find a whole orchestra of a thousand to put these things together in New York City alone. In those days, if I could scrape up twenty musicians to do this it was something extraordinary.
All Bridget Jones did was give us a word for it - singleton - which was the worst possible thing.
Basically, I realized I was living in that awful stage of life between twenty-six to and thirty-seven known as stupidity. It's when you don't know anything, not even as much as you did when you were younger, and you don't even have a philosophy about all the things you don't know, the way you did when you were twenty or would again when you were thirty-eight.
On her extreme thinness during her 'Ally McBeal' years: "I started under-eating, over-exercising, pushing myself too hard and brutalizing my immune system. I guess I just didn't find time to eat. I am much more healthy these days.
At the age of thirty-seven, I was fat, and since the age of thirty-eight, I have never been fat again. That's the whole idea of effective weight loss - it's permanent because it's part of your lifestyle and the way you think about yourself, with pride and a sense of accomplishment. The goal you achieve is your own - you own it.
A fool will study for twenty or thirty years and learn how to do something, but a wise man will study for twenty or thirty minutes and become an expert. In this world, it isn't ability that counts, but authority.
I got into politics when I was eight years old. Six years now. And I got involved because I started listening to talk radio. It goes back to one event. The Democrats filibustered something in the Senate when I was eight years old. I don't remember what it was on and I didn't honestly care when I was eight years old. I cared about the history and the Senate rules.
As we grow older we think more and more of old persons and of old things and places. As to old persons, it seems as if we never know how much they have to tell until we are old ourselves and they have been gone twenty or thirty years. Once in a while we come upon some survivor of his or her generation that we have overlooked, and feel as if we had recovered one of the lost books of Livy or fished up the golden candlestick from the ooze of the Tiber.
Bridget Jones' Baby, at heart is about the gap between how you expect life to turn out and how it actually does.
Here I am thirty-four years old, and yet my life is almost wholly unexpanded. How much time is in the germ! There is such an interval between my ideal and the actual in many circumstances that I may say I am unborn.