A Quote by Jennifer Weiner
Having a day job again I found really kind of fueled my fiction, because it became almost this forbidden thing where I had to sneak off and do it in private.
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The Photo Album is the weakest record. For the first time in our careers, we found ourselves with an economic incentive to be on the road and to be making albums. We had cut ourselves free from the security of day-job life. The goals became primarily financial, at least for a while. That was the roughest time we had ever had as a band, because that was the first moment we realized that this was for real. We were not goofing around anymore. We all threw everything we had into this in a way where we all found ourselves really far from home, and we were stuck with each other.
I've been crazy lucky that I've never had a day job. I get really close to having no money, then I always wind up getting some kind of great job.
I tried snowboarding at 14, and I absolutely fell in love with it. I snowboarded every day off I had, every weekend I had off of school, every holiday we had off from school, and it became a huge part of my life, not just what I love to do, but really just kind of who I was.
I found the most difficult thing when you became successful - when I had the record album, it won Album of the Year - that you were cut off from the source of your material. Your material was everyday people, and you were kind of cut off from that, and you had to work at it.
The thing is that my first novel, which was basically a mystery adventure story, won quite an important award in Spain for young adult fiction, and because of this it became a very successful book, and right now it's some sort of a standard title, it's read widely in many high schools in Spain, so I think, in a way, I was a victim of my own success in the field of young adult fiction, because it was never my own natural register. I never intended to write that kind of fiction, but I became very successful at it.
We should absolutely be concerned with ethical questions - to exactly the same degree as everyone else. It's never my intention to sneak any kind of sermon into a story - I've got no business preaching, and besides, that kind of thing plays poorly in fiction, always has.
It was almost like being a child again because you felt like you were in your bedroom and it almost felt like no one was really watching you. So, you were just kind of having a bit of fun on your own doing silly voices in the bedroom.
If you're having a bad day the main thing on the mental side is realizing that I'm having a bad day and thinking about why and then just kind of re-prioritizing and saying, "I'm going to let myself have this bad day, but tomorrow I'm going to get back on track." That's pretty much it. We all have them. You do have to let yourself have them and then go within and figure out why you're having it and prevent it from happening again.
I can't recommend technical writing as a day job for fiction writers because it's going to be hard to write all day and then come home and write fiction.
It's funny because when I was growing up, I was really into science fiction and fantasy as a kid. And, when I first became a screenwriter, I ended up really just doing historical drama and non-fiction based stuff, like Band of Brothers and stuff that didn't get made, but was also non-fiction.
and never really thought I'd amount to anything. It was precisely what I wanted the whole world to think; then I could sneak in, if that's what they wanted, and sneak out again, which I did.
I really need to know where I'm going with fiction to write it in a way that at least I'm happy with. And I really think that a lot of fiction books end badly because terrific writers said, "I'll just figure it out" and plunge in, but have created so many problems that they are kind of impossible to solve. I mean, I'm talking really good writers do this and you can tell when they got to the end they either had to do something preposterous or they just don't really resolve things. So for fiction I spend a lot more time outlining and for humor I really don't do much of it.
I posted a video a day for almost two months and was hardly sleeping, but I think it really pushed me to give music everything I had in me. I knew it was a chance I couldn't miss. The funny thing is I never saw my music video when it aired during the Super Bowl because as soon as I heard my song start I was in tears for the next 10 minutes! The most amazing thing that came out of all of this, however, was the support that had developed online. Without the people that came back day after day to vote for me, I'd be nowhere, and I really owe it all to them.
I really struggle to pinpoint whether I became a scientist because I like science fiction, or did I gravitate to science fiction because I identified strongly with scientists.
Speaking for myself, I really struggle to pinpoint whether I became a scientist because I like science fiction, or did I gravitate to science fiction because I identified strongly with scientists.
One day, we had a layoff at my job. And I went to my boss, and I said, 'Please save someone else's job. This is a win-win situation for the company and me - and just lay me off.' I did that in around 2003, and I never looked back. I became a full-time comic.
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