A Quote by Jennifer Weiner
I think it's a very old and deep-seated double standard that holds that when a man writes about family and feelings, it's literature with a capital L, but when a woman considers the same topics, it's romance, or a beach book - in short, it's something unworthy of a serious critic's attention.
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Women's books are kind of discriminated against. If a man writes a book about his family stories, people think of it as literature. If it's a woman, she's 'spilling her guts,' and it's not art.
It's the old American Double Standard, ya know: Say one thing, do somethin' different. And of course this country is founded on the double standard. That's our history. We were founded on a very basic double standard: This country was founded by slave owners who wanted to be free.
When a man writes a romance, the woman dies. When a woman writes one, it ends all tidy and sweet.
Considering that "literary fiction" is a sub-genre that's not quite the same as "literature," either, it follows that the short, semi-humorous bits posted online for all to see are something absolutely other, uniquely themselves compared to canonical short stories, for example, and so it'd probably be best to call it something other than "online lit" since I honestly think very little of it can compare to so-called "literature."
I don't think the role of the critic has changed very much. In the most positive sense, the music critic is one who helps the public navigate what's out there, especially in bringing attention to things they otherwise wouldn't hear about, or to provide a new window into something familiar.
When someone writes a book review, they obviously already self-identify as a writer. I mean, they are. They're writers, they're critics, and they're writing about a book about a writer who's a critic. So I think it's really hard for people to distance themselves from what they're criticizing.
I think an awful lot of the reasons people put forward for not liking Hillary Clinton play into deep-seated, negative female stereotypes: ambition, secrecy, calculating. I mean, that is Lady Macbeth, a kind of cold woman. I don't think that's Hillary. And I don't think people would judge a man in the same way.
Harriet Tubman is the perpetuation of a "Super Soul Sunday" every day. Learning about her and the layers of her helps you to see that the same woman who holds a gun and an axe felt feelings for a man.
I've had mainstream readers complain that the book is really a romance, and romance readers complain that the book isn't a romance - with the same book! It really depends on the individual reader's expectations going into the story, and that's very hard to predict person to person.
A writer writes a book. People read it. You don't know what they're reading, really. You read a review and think, "That is so inaccurate. You can't have been reading my book with any kind of attention, because that is all wrong, that's even the wrong name you're including there." But these reviewers have been diminished in importance, the work is so little respected. If you're reviewed by a real critic, by James Wood or Louis Menand, then you get something that is informed, interesting, and highly articulate. But the average review doesn't have that kind of depth anymore.
What I'm trying to say is: it gets boring when nothing meaningful is discussed about it. It's the same thing when a woman poet writes about suffering - it's a "woman's tendency to depression and grief." It's not a human, universal tackling of something that exists in all of us. It's suddenly a "woman issue."
Literary men now routinely tell their readers about their divorces. One literary man who reviews books wrote, in reviewing a study of Ruskin, that he had never read a book by Ruskin but that the study confirmed him in his belief that he didn't want to read a book by Ruskin. This man very often writes about his family life.
Is suffering so very serious? ...I'm referring to the kind of suffering a man inflicts on a woman or a woman on a man. It's extremely painful... hardly bearable. But I very much fear that this sort of pain... is no more worthy of respect than old age or illness.
You can say that literature is about topics like love, death, and all that, but I think there is only one topic that applies to all literature and that is belonging.
I don't write the same book over and over - I think if I did that, I would stop writing. I couldn't write a series with the same character, and I couldn't write a romance novel over and over again that takes place at a different beach every year. That's not who I am.
A critic is a man who writes about things he doesn't like.
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