Television is a big platform for actors, and so many actors have made it to films from there. And for me, too, it has been a great transition from the small screen to the big screen.
Best way to sell something: don't sell anything. Earn the awareness, respect and trust of those who might buy.
When I started doing television, I had no idea that people were watching it. But then things opened up for television in such a way that it's no more 'small' screen, as it is called.
The way I see it is, the better you play, the more money you're going to earn. It's like working in a car garage, the more cars you sell, the more money you're going to earn at the end of the day. It's how life works.
The way I look at it, I'm more of a man because I'm in touch with my emotions. I think people that deny their emotions are pretty weak individuals, if you want my honest opinion.
Singers put emotions into songs which the actors later replicate on screen. When I know that I can also present myself well on-screen, why not do that?
I think somewhere in the '90s, it started to shift, and you started to see a lot of film and television actors doing theater, and producers using the notoriety of the film and television actors to sell tickets.
I always direct next to the camera and watch my actors, and so you can see the small things that you can't see on the small screen but you can definitely see on the big screen.
When people criticize me for not having any respect for existing structures and institutions, I protest. I say I give institutions and structures and traditions all the respect that I think they deserve. That's usually mighty little, but there are things that I do respect. They have to earn that respect. They have to earn it by serving people. They don't earn it just by age or legality or tradition.
When you're making under-million-dollar films, it becomes so much about actors' availability. When you're using big actors for small films, you're in second or third position to the big monoliths.
What I loved about the 1950s is that there is an aesthetic to even the average film. The way the camera is placed, the way characters move, the way you dressed the sets, the respect for craft and actors, I do miss that in today's films.
I think sometimes actors are drawn to good television because you have more time to sell it, you have more time to shape a character, and to tell a story, and that's really appealing.
I'm so very grateful to the readers who put down their hard-earned money to read what I write. They don't have to do that. They choose to. And I try and earn that trust every time I put out a book. I know that sometimes the stories head into challenging territory and I respect that that can be hard. It's a wonderful journey, though, and I'm so glad we're all on it together!
From 1980 to 1990, I shot more films than any other actor in the Screen Actors Guild, apart from Gene Hackman.
I respect Malayalam films the same way I respect Bengali films. I think Malayalam films have not compromised on the essence and have kept their own statement and are coming up with very good themes.
Perception towards Indian television has changed in past few years. It is no more such a small screen, in fact it has wider audience and we should admire it.