A Quote by Jenny Agutter
So I'm not really quite sure what Landis' plans were to make another one. The American Werewolf in Paris was a completely separate story.
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One time I completely thought I'd turned into a werewolf and was sure I could see hairs sprouting from my face. At those times I'd suddenly go very quiet and not talk to anyone, stunned from the developments, being a werewolf and all.
I imagined calling in to my own radio show: Yeah hi, I'm a werewolf, and I'm stuck in a cabin in the woods with another werewolf and a werewolf hunter.
I think American Werewolf in London is the greatest werewolf movie of all time.
I love what Max Landis is doing with 'Superman: American Alien.' That's a really good book.
Sorry,” she said breathlessly. “I got lost in the crowd.” “I noticed,” he said. “One second I was dancing with you, and the next you were gone and a very persistent werewolf was trying to get the buttons on my jeans undone.” Sebastian chuckled. “Girl or boy werewolf?” “Not sure. Either way, they could have used a shave.
When you can state the theme of a story, when you can separate it from the story itself, then you can be sure the story is not a very good one.
I do not think that you can be changing the end of a song or a story like that, as though it were quite separate from the rest. I think the end of a story is part of it from the beginning.
I really enjoy the pastiche storytelling of watching separate stories slowly collide with one another. The audience gets to participate in trying to guess and decipher how one story will connect with another.
There's this accent that I think everybody has when they grow up going to an international school. It's a mix of not quite English, not quite American. When I moved to L.A., it just went completely American.
We have to be really sensitive to making sure were not creating any stories that don't feel like they're ready to be told... We have to make sure we're getting the right story and the right content from the talent we work with.
If you were to send a werewolf to the moon, would he be a werewolf permanently?
Max [Landis] writes in quite a heightened way, specifically for Dirk. There's a rhythm and a specific speed to it, and it was very easy to learn because it was so well-written. It just rolled off the tongue. There aren't many auditions that I go for, where I feel like I could actually do the part. But with this one, even though I was not quite sure how to pin Dirk down, I thought I could do it.
There are two ways to write a werewolf novel - you can examine the genre conventions, or you can say, 'What would it be like if I were a werewolf?'
I've never guided my life. I've just been whipped along by the waves I'm sitting in. I don't make plans at all. Plans are what make God laugh. You can make plans, you can make so many plans, but they never go right, do they?
When 'Red Tails' came along, all I knew was that they were the first African-American fighter pilots in the U.S. Air Force. I had no idea how deep the story went or about all their amazing achievements. There were a few Tuskegee Airmen on the set to make sure everything was as authentic as possible.
It is a political thriller. It's very action packed and it's very exciting, but at the same time it's a very big soulful love story about longing and loss. They're not separate, they're completely dependent on one another.
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