A Quote by Jenny Downham
It's a shame i can't be there myself - i like parties. Text me if you think of any good hymns!
Related Quotes
I say to myself, if the text was good enough for my father and grandfather, it must be good enough for me. I admit, that is a rather personal way of approaching the text - or a prayer.
I overanalyze things way too much, to the point where it affects my life. Like, when I'm talking to a boy, I'll overanalyze a text message he sent. And I have to think to myself, 'Just chill out. Some guy sent me a text message. That's all. Don't read something into it that's not there. Just be glad he sent you a text message!'
The great folk hymns are a perfect marriage of text and tune. There are those that have nice messages and some with good music, but it is such a bonus when they are both wonderful.
I sometimes think that shame, mere awkward, senseless shame, does as much towards preventing good acts and straightforward happiness as any of our vices can do.
There's some belting hymns. Brilliant hymns. When I was an altar boy the hymns were great.
What a way to learn great theology! That's what comes to mind whenever I sing one of those old hymns. "And Can It Be" is like putting the doctrine of salvation to music. "Come Thou Fount of Every Blessing" is a melodic lesson in grace. No wonder good hymns make for strong faith!
You are putting yourself in serious danger...' I think that I preferred to put myself in serious danger rather than confront my shame. My shame at not having become someone, the shame of not having made my parents proud after all the sacrifices they had made for me. The shame of having become a mediocre nihilist.
With Orff it is text, text, text - the music always subordinate. Not so with me. In 'Magnificat,' the text is important, but in some places I'm writing just music and not caring about text. Sometimes I'm using extremely complicated polyphony where the text is completely buried. So no, I am not another Orff, and I'm not primitive.
Good web text has a lot in common with good print text. It's plain, concise, concrete and 'transparent': even on a personal site the text shouldn't draw attention to itself, only to its subject.
One thing about my dinner parties - they're never planned. I go to the grocery store, and I buy whatever is on sale. I get a lot of it, and I just send out a mass text: 'I just bought food. Dinner's at 8. Text me if you're coming.'
I think whether you are a judge on my court or whether you are a judge on a court of appeals or any court, and lawyers too - and if you're interested in law yourself, you'll be in the same situation - you have a text that isn't clear. If the text is clear, you follow the text. If the text isn't clear, you have to work out what it means. And that requires context.
Elections in India are not contests between personalities. They are ultimately battles involving political parties; promises and pledges that political parties make; the vision and programmes that political parties bring to the table. So although, Modi's style is 'I, me, myself,' I don't think 2014 elections as a Modi versus Rahul contest.
Sometimes I, as a public official, turn to Scripture or hymns - especially hymns, because sometimes we Catholics don't have the Scriptures memorized like we should - to help me explain a public policy position or an idea or to be able to articulate it better when you're talking about justice or mercy or compassion.
Whether you're Godard or Almodovar or Scorsese, it's text, text, text. Everything begins with the text, and this is a source of great anguish to me. So please let cinema get on with doing what it does best, which is expressing ideas in visual terms.
The discourse on the Text should itself be nothing other than text, research, textual activity, since the Text is that social space which leaves no language safe, outside, nor any subject of the enunciation in position as judge, master, analyst, confessor, decoder. The theory of the Text can coincide only with a practice of writing.
I like acting with no lines because all of a sudden you're able to express things without always worrying about the text. It's great to have a great text, but there's a lot of stuff you can't say in words, and I think there's something really nice about good physical moments.
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