A Quote by Jenny Han

You'd rather make up a fantasy version of somebody in your head than be with a real person. — © Jenny Han
You'd rather make up a fantasy version of somebody in your head than be with a real person.
If your senses are numbed with delusion and denial, you will stop looking for these true strengths and wind up living a second-rate version of someone's life rather than a worldclass version of your own
If you get trapped in your head and out of your body during the writing process, it's very easy to make wrong turns. You have to really be in touch with your heart rather than your head to write the novel you want.
If you want to do your version, go off and write it. You bring your knowledge to it, and you can use that to shape it and color it, but it's someone else's version of that character. You're not actually playing the real person.
I always find the more you can draw on real life characters, people, situations, it works better. Certainly for designing a character, I prefer to draw on real people rather than other guys I've seen in movies, rather than 'here's my version of Clint Eastwood' or whoever.
So, rather than becoming multicultural, rather than becoming a person of several languages, rather than becoming confident in your knowledge of the world, you become just the opposite. You end up in college having to apologize for the fact that you no longer speak your native language.
The real Mike is somebody who is a positive person, a generous person. A loyal person. Somebody that's gonna help you if you call me up and say, 'Mike, I got a flat tire.' I'm there, you know?
I'm absolutely as vulnerable as the next person in terms of being swept up in aspirational Instagrams. You just have to know what is fantasy and what is real. It's always good to have a diverse feed in your life and in your social media.
Fantasy gets a mixed reception - a lot of fantasy is formulaic but most of the award-winning fantasy on the contrary tends to be the stuff at the edges of the genre, rather than swimming in the middle.
It's important, therefore, to know who the real enemy is, and to know the function, the very serious function of racism, which is distraction. It keeps you from doing your work. It keeps you explaining over and over again, your reason for being. Somebody says you have no language and so you spend 20 years proving that you do. Somebody says your head isn't shaped properly so you have scientists working on the fact that it is. Someone says you have no art so you dredge that up. Somebody says you have no kingdoms and so you dredge that up. None of that is necessary. There will always be one more thing.
If you have to end up in the hospital, try to focus all your pain in your heart rather than your head.
With fantasy and sci-fi, it's based in a real fandom. You're presenting to experts, and their source material is really important to them. They'll come up and ask: 'so when you turned your head slightly in that scene, what were you thinking?'
It is not hard to see why Trump might choose Putin as his fantasy friend. Putin is the real-world version of the person Trump pretends to be on television.
I feel like writing a book there's always a version in your head that's an amazing version, but then you write the version that you can write.
You project a version of yourself to the public to protect and insulate yourself a little bit. Actors come up with a version of themselves in order to protect the real person.
I like to play people that are real, a real person, and then something that's interesting with that person. I think it's a lot more challenging to do that than something that's extremely fantasy-like.
I feel like I'm real honest in my music. Even if it ends up being an exaggeration or a fantasy, it's a fantasy that's real to me.
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