A Quote by Jenny Han

You can't put being in love on a scale. Either you are or you aren't. — © Jenny Han
You can't put being in love on a scale. Either you are or you aren't.
Sometimes it's just the creative intent of an artist or band that inspires me. I'm generally drawn to artists or bands that put themselves out on a limb somewhat and do something that infuriates both the mainstream and the indie purists, but that can't necessarily be classed as either. To me it seems somewhat convenient to be on either end of that scale.
Scale is a mental - you can say that a lounger has scale, a building has scale, or an object has scale, or a page, or whatever if it's just right. A scale is a relationship to the object and the space surrounding it. And that dialogue could be music, or it could be just noise. And that is why it is so important, the sense of scale.
Scale is not just something that a director wants so as to play with all the toys. Scale also lends verisimilitude, to put together a real world.
'Ides of March' I did for scale - scale as a director, scale as an actor, scale as a writer.
Everything that can be found in the universe on a large scale is reflected in a human being on a small scale.
I have spent all my life under a Communist regime, and I will tell you that a society without any objective legal scale is a terrible one indeed. But a society with no other scale but the legal one is not quite worthy of man either.
Make sure furniture decor has similar scale. It's all about scale, proportion, measuring, being conscious of the overall plan.
I've always wanted to have the ability to do what I want to do. And there are so many things that I want to do because I love acting, I love directing, I love producing, I love being a mother, I love being a wife. If I had to choose one, just would put me in the crazy house.
It used to be that companies with industrial economies of scale created business success. Now, success will come from the information economies of scale, either the ones with complete breadth, or complete depth.
A man fishes for two reasons: he’s either sport fishing or fishing to eat, which means he’s either going to try to catch the biggest fish he can, take a picture of it, admire it with his buddies and toss it back to sea, or he’s going to take that fish on home, scale it, fillet it, toss it in some cornmeal, fry it up, and put it on his plate. This, I think, is a great analogy for how men seek out women.
I am preoccupied with the possibility of creating art which functions in a public situation without compromising its private character of being antiheroic, antimonumental, antiabstract, and antigeneral. The paradox is intensified by the use on a grand scale of small-scale subjects known from intimate situations--an approach which tends in turn to reduce the scale of the real landscape to imaginary dimensions.
When I tried to grasp at either what I love or what I hate, I destroyed the very ability of being able to really penetrate the essence of either. By trying to understand it, I would just crush it.
In my opinion, I would still like to go into a studio - because I love the environment of being in a studio - and record a great album beginning to end, but then maybe not release it as an album. Maybe put singles out there, put songs out there - either give some away or release some the traditional way.
Scale is of prime importance and I think that oversized scale is better than undersized scale.
There aren't a lot of roles in period movies for black people. It sucks because I love that era. But, I love musicals. I love the show Glee, and I wouldn't mind being on that either.
The most important thing about being in wrestling is that you have to connect with the crowd, connect with the fans, and you either want them to love you, or to hate you. Either way, so long as they're reacting to what you're doing.
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