A Quote by Jenny Han

I think that's what distinguishes YA from adult fiction - it's not just the age of the characters, but it's the sense of hope. Because I don't think I've ever read a YA book that feels completely hopeless at the end.
The YA category is an entirely new one, and seems to have more to do with readability than with age group or theme. The adult YA readers I know do actually consistently say that they are looking for an easy read, a fun read, an unchallenging read.
While I'm writing YA, I can't read YA, and the same with adult. I usually only listen to music while I'm writing YA.
To me there's no difference between writing YA and adult except that in YA I make the book a little shorter and the protagonists are teens. The difference is in the readers.
I must be honest here; I don't think there's such a thing as 'unconventional' when it comes to YA. YA readers are the most open-minded in the literary world. They'll read anything.
This treadmill lifestyle ain't workin for me... It's from ya crib to ya lab to ya job to make a profit, And at the day's end you still got nothing accomplished.
It's only five rappers out of Atlanta who bussin and I'm one of 'em; the other four you know who you are; but if you gotta think twice (well) shawty ya ain't nice; regardless of ya publishin' deal ya can't write
When I see ya baby girl, I miss feelin on ya. I miss everything that's real about ya and that's everything about ya, that's just how I feel about ya
The only thing that makes a book YA is that it is about teenagers, and it is written in a very conventional, non-artsy, non-pretentious way. YA is not the place for the oblique or the cryptic. If it is in any way experimental in form, it is not YA.
I don't think I ever intended specifically to write for the young adult market. It's just that when the idea for City of Bones came to me, I knew the main characters were teenagers. In my mind they were just very clearly the ages they were, which turned out to mean it was a YA novel.
I've published over 100 books - and that is divided about 50/50 adult and young adult. Lately, I have been writing more YA, which is such a great genre to write it. I don't have a favourite (I usually say it's the last book I've written), but certain books do stick in the mind. My very first YA novel, The Children of Lir, will always be special to me, and, of course The Alchemyst because it was a series I'd wanted to write for ages.
One of the things that defines YA is a really strong narrative. Adults love YA because, at the end of the day, they're good stories and page-turners. The other element is emotion. The teen years are a very emotional and intense time, and I think it's a time we that we can all relate to and remember.
I write what I like to read, and I enjoy love triangles in YA and adult fiction - not to mention in other media like TV, opera, theatre, and even in video games! I relish when dark and compelling characters compete for our protagonist's heart. The doubts, the uncertainty - the jealousy! - can be breathtaking.
Do what ya have to do to pay off yer debt with Heaven,’ he said, his concern for proper speech abandoned. ‘But ya do not die on me, ya understand? I can’t live without ya. Yer all I got, woman.’ Her breath caught in her lungs. ‘I don’t want to be here if you’re not.
As someone who writes and teaches YA fiction, I spend a lot of time trying to define its character and readership, and I don't think I'm alone - genres are all about boundary drawing, and the YA genre is, in a lot of ways, about carving out boundaries around adolescence, a space for teenagers to do teenage things.
When I was growing up, there actually wasn't a lot of YA literature as it exists today. Most of the YA that I read was from the '60s and '70s, older than me.
I think the paparazzi is a necessary evil...and if ya don't like it, and ya don't want to do this, go to Iowa and do some community theatre. It's all about self-promotion and it's not always the fun part of it.
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