A Quote by Jenny Holzer
It's necessary to start most work alone. But I'm tickled to death when I can pull somebody in or join someone, whether it's borrowing poetry or traveling with an associate.
Related Quotes
It can be kind of gruesome at times, making things alone. I don't want to be too dramatic, but it's hard. It's necessary to start most work alone.
What we shouldn't be doing is borrowing money to give benefits to the most fortunate, to put the burden and pull the rug out of those who struggle the most.
Optimist: someone who isn't sure whether life is a tragedy or a comedy but is tickled silly just to be in the play.
Yes, people pull the trigger - but guns are the instrument of death. Gun control is necessary, and delay means more death and horror.
Loneliness is necessary for pure poetry. When someone intrudes into the poet's life (and any sudden personal contact, whether in the bed or in the heart, is an intrusion) the poet loses his or her balance for a moment, slips into being what he or she is, uses his or her poetry as one would use money or sympathy. The person who writes the poetry emerges, tentatively, like a hermit crab from a conch shell. The poet, for that instant, ceases to be a dead person.
I hate being tickled. Sure, it makes me laugh, but when I get tickled, I get pissed off. I'm like a monkey when I get tickled - woo-hoo!
Most of the people who are engaged in the subjects that I look into are pretty interesting. Whether its sex researchers or someone who's devoted their career to saliva or somebody who does research with cadavers, there's an inherent fascination in the subject matter of their work.
Everything that is necessary is also easy. You just have to accept it. And the most necessary, the most natural matter on this planet is death.
There is another side to death. Whether death happens through an act of violence to a large number of people or to an individual, whether death comes prematurely through illness or accident, or whether death comes through old age, death is always an opening. So a great opportunity comes whenever we face death.
Join the bold, the brazen, the unintimidated. Join not having excuses. Join the idea that fun is the source of all joy. Join the unwillingness to give up. Join doing things your way. Join not joining. Join that purpose is stronger than outcome. Join your gut. Join the constant challenge of seeking greatness. Join play. Join the hunger to find what makes you happy. Join karma and nature and the effect you have on your world. Join your philosophy. Join something bigger than you. Join what you believe.
I'm shy and can't for the life of me barge around and slap people on the back. I sit in a corner by myself and am tickled to death when someone comes over to talk to me
I'm shy and can't for the life of me barge around and slap people on the back. I sit in a corner by myself and am tickled to death when someone comes over to talk to me.
There is no metaphor for death. All comparisons are odious, but I'll do one anyway. We all have these moments of harsh clarity where we realize that something is gone, whether that is youth, whether that is someone we care about, whether that is where we literally lose someone we care about to death. Or we end a relationship that we thought would last forever, or have one ended for us. We all have these moments in life where it seems impossible to fill up the time that we have left for us, and yet we have to do it somehow.
When I'm marketing a film, whether its mine or someone else's, I work with a great deal of strategy and elbow grease until the job is done. It's pretty simple really. I just dive in and start digging. Yes, I'm fortunate to know the in's and out's of a true studio-level marketing campaign. But really, anyone who is diligent and well-researched can pull it off too. Its easier for me, but it doesn't make it impossible for others.
When I'm by myself, I'm not threatening at all. I get many more invitations than I would if I were traveling with anyone else, especially with a man. But I'm rarely alone. I sit on a park bench and I'm not alone because I pick a park bench where somebody interesting is sitting.
My biggest poetic influences are probably 20th-century British and Irish poets. So I suppose I'm always listening for the music I associate with that poetry, the telling images, the brevity. I want to hear it in my own work as well as in the poetry I read. However, I think I'm generally more forgiving of other poets than myself.
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