A Quote by Jenny Holzer

I wanted to be an abstract painter, but I was rotten at it. — © Jenny Holzer
I wanted to be an abstract painter, but I was rotten at it.
I wanted to be a painter, somewhere between Abstract Expressionism and Pop.
I thought, enough of this, I'm not an abstract painter, what the hell am I going to do? Should I get a job in a shoe store, sell real estate, or what? I was really depressed by the whole thing, because I felt like a painter, yet I couldn't make paintings.
I'm an abstract painter not just for myself, but because I really believe in abstraction.
When I was a teenager, I wanted to be a portrait painter. As I got to be older, I realized that as a portrait painter I wouldn't be able to support a goldfish.
For a painter as abstract as myself, the collages offer a way of incorporating bits of the everyday world into pictures.
I apologize if there's a Parkinson's painter in the audience. I assume you do your best work in the morning. Probably gets abstract by noon.
When I started out, everyone seemed to be adopting these names... Johnny Rotten, Sid Vicious. I wasn't really Rotten or Vicious or Nasty, so I wanted something a bit more funny - yet something that seemed real rock 'n' roll... something that acknowledged my ambition.
The sound of water escaping from mill-dams, etc., willows, old rotten planks, slimy posts, and brickwork.those scenes made me a painter and I am grateful.
I'm a painter. I'm still a painter and I will die a painter. Everything that I have developed has to do with extending visual principles off the canvas.
Growing up, my mom was a painter, my best friend was a painter, my husband is a painter. For a long time I knew artists, and I didn't know any writers.
I wanted to wear the most impenetrable suit of armour ever known to mankind. 'Hello, Mr. Rotten...' You can't say anything about me. You can't put me down in any way shape or form - I'm rotten to the core... you know, what's left for you? Pleasantries? I suppose the worst insult you could sling my way is 'Oh, he's really nice, him.'
Whoever thought the immediate alternates with the immediate action is not an abstract painter.
If you're a painter, you don't go, 'Abstract's really selling, so that's what I'm going to do.' If you're really truly an artist, you have to think what you're meant to paint.
When I was a little kid I wanted to be an artist or a painter. But once I got into boxing, all I wanted was to box.
I didn't want to be a writer. First I wanted to act, and then I wanted to be a painter like my big sister.
I am biased towards the belief that every painter must be grounded in strong and faultless drawing skills, and until one has not experimented with all styles of painting and has not comprehended their potentialities one's work is not complete. Even an abstract painter must know how to draw as well as a figurative artist. As for me, drawing has never created any problem, since I know how to draw anatomy correctly if I had to, I understand the function of muscle groups and sculpture.
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