A Quote by Jenny Holzer

I suspect you've noticed that making art can be lonely. — © Jenny Holzer
I suspect you've noticed that making art can be lonely.
By and large, the making of serious, thoughtful and occasionally valuable art has become a lonely persuasion, while the marketing of art has become a boutique operation, manipulated by fashion, self-serving art scholars and the vagaries of the auction block.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
If you don't get noticed, you don't have anything. You just have to be noticed, but the art is in getting noticed naturally, without screaming or without tricks.
In the mainstream, I'm suspect because I'm black. I have dreadlocks, I have a goatee. I mean, I'm just suspect. In my classroom and at Columbia, I'm not as suspect because it's clear I know what I'm doing, but I am still suspect.
Yet a real artist, I've noticed, will survive anything. (Even praise, I happily suspect.)
Making of poetry, music, dance and art as culture-making in the service of nation-making. You can find writings that make that purpose for art quite explicit.
For me, making films is about trying to work something out by myself in quite a lonely way. I find the whole thing very lonely really.
When we even use the term 'specialized world,' we already have a problem! We're making art; they are making art... these worlds are not far apart from each other. For instance, pieces of art that hang on a wall can be seen in museums or can be used in a variety of commercial ways. That art is everywhere, so the message is that it's a part of everyday life.
All my life I've been lonely. I've been lonely at crowded parties. I've been lonely in the middle of kissing a girl and I've been lonely at camp with hundreds of fellows around. But now I'm not lonely any more.
I think that black people making art, women making art, and certainly black women making art is a disruptive endeavor - and it's one that I enjoy extremely.
The only thing that makes one an artist is making art. And that requires the precise opposite of hanging out; a deeply lonely and unglamorous task of tolerating oneself long enough to push something out.
Lonely trees are not lonely; they have their eternal companies: Songs of the birds; shadows of the clouds; lights of the Moon; whispers of the winds... Lonely trees are not lonely!
I want to explore the art of pleasure in Italy, the art of devotion in India and, in Indonesia, the art of balancing the two. It was only later, after admitting this dream, that I noticed the happy coincidence that all these countries begin with the letter I. A fairly auspicious sign, it seemed, on a voyage of self-discovery.
I think that the first part of the art is making the art, but when art really becomes art is when it belongs to somebody else.
People think it's suspect and self-indulgent to make art, and I don't think that's true. Some people think you should be busy making something that you can sell in the marketplace, and if nobody wants to buy it, it must be crap. And that's not true.
Art-making was part of my daily life from a very young age, and I still love that kind of everyday art-making.
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