A Quote by Jenny Hval

I really hated being the Norwegian girl in every single conversation in Australia, so I tried to make my Norwegian-ness invisible, speaking like whoever was around me. — © Jenny Hval
I really hated being the Norwegian girl in every single conversation in Australia, so I tried to make my Norwegian-ness invisible, speaking like whoever was around me.
I dream in Norwegian, I count in Norwegian so that basically makes me Norwegian now, I suppose.
You can write a radical Norwegian or a conservative Norwegian. And when I changed to a conservative Norwegian, I gained this distance or objectivity in the language. The gap released something in me, and in the writing, which made it possible for the protagonist to think thoughts I had never myself thought.
And then, with a European director and Norwegian actors speaking in Norwegian, it was going to be very interesting. So, whatever initial trepidation or fear I may have had was alleviated by those factors. I just said, "This is something to get on board with."
I'm 100% Norwegian. Three generations removed and all continuous inbreeding of Norwegian of Minnesota and Iowa, so I traveled to Norway before.
In Sweden I am considered the Finnish-Norwegian, in Norway Finnish-Swedish, and in Finland Swedish-Norwegian. I've never really belonged anywhere.
I am an American, but a sense of otherness was part of my growing up. I spoke Norwegian before I spoke English. My mother is Norwegian.
If you're a Norwegian writer, you are not visible in the world. The door of the English language is very hard to open for a Norwegian writer.
Well, the biggest Norwegian newspaper regarded this as an arrest, since they hadn't told us that they were coming and they brought me in. So the biggest Norwegian newspaper looked upon that as an arrest.
It is also a fact that people who are isolated and alienated in their neighborhoods as a result of the large number of neighbors who do not speak Norwegian, who do not follow the Norwegian customs, norms and way of life, could have psychosomatic disorders that can lead to both sickness leave and need for medical help.
I was listening to a lot of Norwegian black metal and death metal. There's a great history to Norwegian black metal. That music is very dark and violent, but it's also beautiful.
I do chat to my mother in Norwegian, particularly when we want a secret conversation. It is useful that way.
Being attacked by the press is not something I see as a problem, but rather a confirmation that I am on the right track. It is even better when they ignore me completely, like the Norwegian press does; that means they are really afraid.
I just hated being around attention and stuff. In the clubhouse, I hated being around that. I didn't like anything to do with being around people, for the most part. I mean, I could be around them, just not in a talking situation, and that would make it even worse.
I think that cinema is a great place to make stories of loneliness. And being Norwegian, I don't want to make the film about loneliness in being out in nature on a mountaintop; it's about being in the cities.
I missed the Olympic team in 1996 - missed making the team. I tried to make a comeback in my sport, and soon after the Olympic trials, Johann Olav Koss, who is a Norwegian speed-skater, called me up and asked me to be a part of Olympic Aid. Now Olympic Aid is Right to Play. It's a wonderful, narrow focus.
I remember being very, very aware of gender when I was really young. Not necessarily in a bad way. Maybe it's a little bit because I'm Norwegian and how I've been brought up.
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