A Quote by Jenny Lawson

I can finally see that all the terrible parts of my life, the embarrassing parts, the incidents I wanted to pretend never happened, and the things that make me "weird" and "different," were actually the most important parts of my life. They were the parts that made me ME.
At my school, which was all boys, I played almost exclusively lady parts. When I say lady parts, I mean parts that were ladies. To actually play lady parts would be weird, even by English standards.
I believe that the universe is one being, all its parts are different expressions of the same energy... parts of one organic whole.... (This is physics, I believe, as well as religion.) The parts change and pass, or die, people and races and rocks and stars; none of them seems to me important in itself, but only the whole. This whole is in all its parts so beautiful, and is felt by me to be so intensely in earnest, that I am compelled to love it, and to think of it as divine.
When it comes to picking parts, I do make an effort to choose parts that I want to do, and not necessarily parts someone else wants me to do, or parts that someone else is going to respond to.
These things...they are who you are. They brought you here. To this day. You didn't give me a chance to understand that ever the unattractive parts of you, the messy parts, were something I could accept.
Take of London fog 30 parts; malaria 10 parts, gas leaks 20 parts, dewdrops gathered in a brickyard at sunrise 25 parts; odor of honeysuckle 15 parts. Mix. The mixture will give you an approximate conception of a Nashville drizzle.
I've chosen the parts that have interested me and parts that I thought I could do a job with but also were challenging and a little bit scary.
As a young actor, I played a lot of 'exotic' parts and was stuck with the tag 'sultry.' I had to refuse such parts if I were ever to play anything else. It did the trick, but my agent feared it made me harder to cast.
Someone gave me a New Testament. I had never before read it systematically. Some parts made sense, some parts shocked me.
I remember when I first came to Los Angeles being staggered by the range of roles open to me. These were leading parts in shiny new projects, and what always excited me was knowing there was a possibility that I could actually get these parts. I always had the impression that I had a chance.
Most programming languages contain good parts and bad parts. I discovered that I could be better programmer by using only the good parts and avoiding the bad parts.
To me, the coolest riffs are composed of two guitar parts that interlock like gears. You need both parts to make whole. I work things out on an electric that's not plugged in to make sure a good tone isn't forgiving a part that couldn't stand up naked. Only after the parts are written will I struggle to find a tone that supports the creativity.
I could never accept life as it was, I could never gobble down all its poisons bu there were parts, tenuous magic parts open for the asking.
I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
One of the most frustrating parts about songwriting for me is production, but it makes me want to get better at it and ends up being one of the most rewarding parts of it.
Growing up I was a total movie-holic, but I always wanted to play the role that Clark Gable was playing or Spencer Tracy was playing. I was really never interested in the parts that women were playing. I found the parts that guys were playing were so much more interesting.
My mom is Asian and loves all of the throwaway parts of the animal, so she actually thanks me for saving her the neck and other parts.
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